 | James Mercer Garnett - 1890 - 730 стор.
...brain that can make the stage a field. The truth is that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | Samuel Taylor Coleridge - 1893 - 190 стор.
...single moment was ever credited. . . The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...only a stage, and that the players are only players. . . The delight of tragedy proceeds from our consciousness of fiction ; if we thought murders and treasons... | |
 | Edward Dowden - 1893 - 160 стор.
...discussion of the doctrine of the unities of time and place; the spectators "are always in their senses, and know, from the first act to the last, that the stage is only a stage;" knowing which they can make time and place, as well as any other mode of being, obsequious to the imagination.... | |
 | Thomas R. Lounsbury - 1901 - 510 стор.
...for reality, and summed up the situation by declaring that the spectators are always in their senses, and know from the first act to the last that the stage...stage, and that the players are only players. They do not believe for a moment that the place, where the scene is supposed to be, is Athena or Vienna... | |
 | Thomas R. Lounsbury - 1901 - 494 стор.
...for reality, and summed up the situation by declaring that the spectators are always in their senses, and know from the first act to the last that the stage...stage, and that the players are only players. They do not believe for a moment that the place, where the scene is supposed to be, is Athens or Vienna... | |
 | Walter Cochrane Bronson - 1905 - 426 стор.
...brain that 25 can make the stage a field. The truth is that the spectators are always in their senses, and know, from the first act to the last, that the...stage and that the players are only players. They came to hear a certain number of lines recited with just gesture and 30 elegant modulation. The lines... | |
 | Ludwig Herrig - 1906 - 844 стор.
...brains that can make the stage a field. MO The truth is that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They MB come to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | Robert Kleuker - 1907 - 188 стор.
...SBeф)el be§ Orte§ niфt mebr beaфte: The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | Stendhal - 1907 - 258 стор.
...circumspection of terrestrial nature. . . . The truth is that the spectators are always in theis senses, and know, from the first act to the last, that the stage is only a stage, that the players are only players.' PAGE 91. 1. 20. publiés par un Vigneron, \. e. publiés par Paul-Louis... | |
 | Samuel Johnson - 1908 - 254 стор.
...brains that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
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The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. 
