 | Elegant extracts - 1816 - 1082 стор.
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | Samuel Johnson - 1816 - 492 стор.
...brain that can make the stage a field. . The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture'and elegant . ii. H nlodulation. The... | |
 | Samuel Johnson - 1816 - 514 стор.
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant . n. ii modulation. The... | |
 | William Shakespeare - 1817 - 350 стор.
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...gesture and elegant modulation. The lines relate to gome action, and an action must be in some place ; but the different actions that complete a story... | |
 | Samuel Johnson - 1818 - 420 стор.
...brain that can make the, stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage is only a stage, and that the players are only playerg. They came to hear a certain number of lines recited with just gesture and elegant modulation.... | |
 | John Mason Good - 1819 - 822 стор.
...truth is, that the (judicious) spectators ore always in their senses, and Know, from the first ici to the last, that the stage is only a stage, and that the players are only players. They come to bear a certain number of tines recited with just gesture anil clegunt modulation. The lines relate... | |
 | Samuel Johnson, Arthur Murphy - 1820 - 450 стор.
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant VOL. II. H modulation,... | |
 | William Shakespeare - 1821 - 676 стор.
...brains that can make the stage a field. The truth is *, that the spectators are always in their senses, and know, from the first Act to the last, that the...certain number of lines recited with just gesture and elegapt modulation. The lines relate to some action, and an action must be in some place ; but the... | |
 | William Shakespeare - 1823 - 350 стор.
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...different actions that complete a story may be in place? very remote from each other ; and where is the absurdity of allowing that space to represent... | |
 | Samuel Johnson, Arthur Murphy - 1823 - 484 стор.
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant voi,, ii, H modulation.... | |
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The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. 
