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" The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. "
The Plays of William Shakespeare: With Notes of Various Commentators - Сторінка lxiii
автори: William Shakespeare - 1806
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The Study and Practice of Writing English

Gerhard Richard Lomer, Margaret Ashmun - 1914 - 342 стор.
...SHAW: Preface to Brieux' Three Plays. 9. "The truth is that the spectators are always in their senses, and know, from the first act to the last, that the...only a stage and that the players are only players." SAMUEL JOHNSON : Preface to Shakespeare. dramatic action is the doing of something really significant."...
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Doctor Johnson: A Study in Eighteenth Century Humanism

Percy Hazen Houston - 1923 - 280 стор.
...imagination, and we may conceive of a lapse of years as easily as of a passage of hours. Likewise, the different actions that complete a story may be in places very remote from each other: either in Athens or Sicily, when the spectator knows that he is in neither Athens nor Sicily but in...
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The Harvard Classics, Том 39

Charles William Eliot - 1909
...brains that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines...
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A Critical History of English Literature, Vol. 3, Том 3

David Daiches - 1979 - 319 стор.
...expects drama to be credible in that way. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines...
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The Critical Reception of Shakespeare's Antony and Cleopatra from 1607 to 1905

Michael Steppat - 1980 - 619 стор.
...representation is mistaken for reality, " while the truth is that "the spectators are always in their senses, and know, from the first act to the last, that the...only a stage, and that the players are only players." Johnson's argument is strangely unequal in that he accomplishes the demolition of the old aesthetics...
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Illusion and the Drama: Critical Theory of the Enlightenment and Romantic Era

Frederick Burwick - 2010
...illusion: "The truth is, that the spectators are always in their senses, and know, from first act to last, that the stage is only a stage, and that the players are only players." 23 Before we conclude, however, that Johnson was an utter skeptic who deined the efficacy of illusion,...
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The Theory and Analysis of Drama

Manfred Pfister - 1991 - 339 стор.
...he lives in the days of Cleopatra . . . The truth is that the spectators are always in their senses and know, from the first act to the last, that the...stage is only a stage, and that the players are only players.12 In other words, the dramatic fiction does not set out to deceive the audience by pretending...
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The States of 'theory': History, Art, and Critical Discourse

David Carroll, Columbia University Press - 1990 - 316 стор.
...passage from his "Preface to Shakespeare": "The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...only a stage, and that the players are only players." 5. I have argued that there is a common metaphysical grounding for the Essay on Criticism and the Essay...
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Aesthetic Illusion: Theoretical and Historical Approaches

Frederick Burwick, Walter Pape, University of California (System). Humanities Research Institute - 1990 - 478 стор.
...I quote again the often quoted lines: The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...only a stage, and that the players are only players. [...] It will be asked, how the drama moves, if it is not credited. It is credited with all the credit...
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Sources of Dramatic Theory: Volume 2, Voltaire to Hugo

D. J. Conacher - 1991 - 292 стор.
...brains that can make the stage a field. The truth is. that the spectators are always in their senses, and know, from the first act to the last, that the...only a stage, and that the players are only players < Co/2 3 1 > . They come to hear a certain number of lines recited with just gesture and elegant modulation....
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