 | William Shakespeare - 1800 - 330 стор.
...are always in their fenfcs, and know, from the firft act to the laft, that the ftage ii only a ftage, and that the players are only players. They come to hear a certain number of lines recited withjuft gefture and elegant modulation. The lines relate to fome action, and an action muft be in... | |
 | 1802 - 630 стор.
...in their fenle*, and know, from the full a£l to the lalt, that the linge is only a liage, and tjiat the players are only players. They come to hear a certain number of lines recited with jutl ture and elegant modulation. '1'he lines relate to fome .iction, arid an action muft be in fome... | |
 | William Shakespeare, George Steevens, Samuel Johnson - 1803 - 542 стор.
...are always in their fenfes, and know, from the firft Act to the laft, that the ftage is only a ftage, and that the players are only players. They come to hear a certain number of lines recited with juft gefture and elegant modulation. The lines relate to fome action, and an action muft be in fome... | |
 | William Shakespeare - 1802 - 422 стор.
...are always in their fenfes, and know, from the firft aft to the laft, that the ftage is only a ftage, and that the players are only players. They come to hear a certain number of lines recited with juft gefture and elegant modulation. The lines relate to fome action, and an action muft be in fome... | |
 | Samuel Johnson - 1806 - 376 стор.
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | Samuel Johnson - 1809 - 488 стор.
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage is only a stage, and that the players are only play ers. They came to hear a certain number of lines recited with just gesture and elegant modulation.... | |
 | William Shakespeare - 1809 - 394 стор.
...brains that can make the stage a field. The truth is,* that the spectators are always in their senses, and know, from the first Act to the last, that the stage is only a stage, and the players are only players. They come to hear a certain number of lines recited with just gesture... | |
 | William Shakespeare - 1809 - 390 стор.
...brains that can make the stage a field. The truth is,* that the spectators are always in their senses, and know, from the first Act to the last, that the stage is only a stage, and the players are only players. They come to hear a certain number of lines recited with just gesture... | |
 | Samuel Johnson, Arthur Murphy - 1810 - 486 стор.
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. modulation.... | |
 | William Shakespeare - 1814 - 532 стор.
...brains that can make the stage a field. The truth is that the spectators are always in their senses, and know from the first act to the last, that the...stage, and that the (players are only players. They coine to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
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The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. 
