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" The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. "
The Plays of William Shakespeare: With Notes of Various Commentators - Сторінка lxiii
автори: William Shakespeare - 1806
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History of England from the Peace of Utrecht to the Peace of Aix-la-Chaoelle ...

Philip Henry Stanhope (5th earl.) - 1837
...the first. " The spectators," says Johnson, " are always in their senses, " and know from first to last that the stage is only " a stage, and that the players are only players." • " Our thoughtless sex is caught by outw&rdform, " And empty noise, and loves itself in man." "...
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The complete works of William Shakspeare, with notes by the most ..., Том 1

William Shakespeare - 1838
...stage, and the players »re only players. They come to hear a certain number of lines recited wilh Since mine own doors refuse to entertain me, I'll knock elsewhere, to see if they'll disdain sonic place; but the different actions that complete a story may be in places very remote from each...
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History of England from the Peace of Utrecht to the Peace of ..., Том 2

Earl Philip Henry Stanhope Stanhope - 1839
...the first. " The spectators," says Johnson, " are always in their senses, " and know from first to last that the stage is only " a stage, and that the players are only players." * " Our thoughtless sex is caught by outward form, " And empty noise, and loves itself in man." " Each...
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History of England: From the Peace of Utrecht to the Peace of Aix-la ..., Том 1

Earl Philip Henry Stanhope Stanhope - 1841
...the first. " The spectators," says Johnson, " arc always in their senses, and " know from first to last that the stage is only a stage, and that the " players are only players." But docs not this argument, in fact, amount to this — that art is not perfect, and that therefore...
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The Discourses of Sir Joshua Reynolds

Sir Joshua Reynolds - 1824 - 279 стор.
...for a single moment, was ever credited. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...recited with just gesture and elegant modulation." In revising this note, I wish the student distinctly to understand, that whether stage representation...
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The Plays and Poems of Shakespeare,: According to the Improved Text ..., Том 1

William Shakespeare - 1844
...that can make the stage a field. i . The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...but the different actions that complete a story may he in places very remote from each other ; and where is the absurdity of allowing that space to represent...
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History of England from the Peace of Utrecht to the Peace of Paris, Том 1

Earl Philip Henry Stanhope Stanhope - 1849
...after the first. "The spectators," says Johnson, "are always in their senses, and know from first to last that the stage is only a stage, and that the players are only players." But does not this argument, in fact, amount to this — that art is not perfect, and that therefore...
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History of England from the Peace of Utrecht to the Peace of Aix-la-Chaoelle ...

Philip Henry Stanhope (5th earl.) - 1853
...the first. " The spectators," says Johnson, " are always in their " senses, and know from first to last that the stage is only " a stage, and that the players are only players." But does not this argument, in fact, amount to this — that art is not perfect, and that therefore...
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Wit and Wisdom of Samuel Johnson

Samuel Johnson, George Birkbeck Norman Hill - 1888 - 323 стор.
...• • Wit and Wisdom of Samuel Johnson. truth is that the spectators are always in their senses, and know, from the first act to the last, that the...only a stage, and that the players are only players, works, v. 120. • • • FAMILIAR comedy is often more powerful on the theatre than in the page ;...
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The Works of William Shakespeare, Том 8

William Shakespeare - 1890
...discussion of the doctrine of the unities of time and place; the spectators "are always in their senses, and know, from the first act to the last, that the stage is only a stage;" knowing which they can make time and place, as well as any other mode of being, obsequious to the imagination....
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