 | William Shakespeare - 1839 - 550 стор.
...real actions, and therefore willingly permit it to bo contracted when we only see their imitation. It will be asked, how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not, that the evils before us are real evils, but that they are evils to which w'e ourselves may... | |
 | William Shakespeare - 1841 - 316 стор.
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked, how the drama moves, if it is 'not...to be done. The reflection that strikes the heart, is not, that the evils before us are real evils, but that they are evils to which we ourselves may... | |
 | William Shakespeare - 1844 - 348 стор.
...to be contracted when we only see their imitation. It will be asked, how the drama moves, if it ia not credited. It is credited, with all the credit...to be done. The reflection that strikes the heart, is not, that the evils before us are real evils, but that they are evils to which we ourselves may... | |
 | William Shakespeare - 1857 - 354 стор.
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked, how the drama moves, if it is not credited....auditor what he would himself feel, if he were to do or surfer what is there feigned to be suffered or to be done. The reflection that strikes the heart is... | |
 | William Shakespeare - 1882 - 996 стор.
...mm. num. It will be asked, how the drama moves, if it is Dot credited. It is credited with all toe is not, that the evils before us are real evils, but that they are evils to which we ourselves may... | |
 | Samuel Johnson - 1888 - 360 стор.
...and rather than not ' walk after his own lusts' will scoff at religion. Works, u. 452. The stage : IT will be asked how the drama moves if it is not credited....to be done. The reflection that strikes the heart is not that the evils before us are real evils, but that they are evils to which we ourselves may be... | |
 | James Mercer Garnett - 1890 - 730 стор.
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked, how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not that the evils before us are real evils, but that they are evils to which we ourselves may be... | |
 | David Nichol Smith - 1903 - 434 стор.
...real actions, and therefore willingly permit it to be contracted when we only see their imitation. It will be asked how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not that the evils before us are real evils, but that they are evils to which we ourselves may be... | |
 | Walter Cochrane Bronson - 1905 - 422 стор.
...actions, and therefore willingly permit it to be 15 contracted when we only see their imitation. It will be asked how the drama moves if it is not credited....representing to the auditor what he would himself feel if 20 he were to do or suffer what is there feigned to be suffered or to be done. The reflection that... | |
 | Beverley Ellison Warner - 1906 - 328 стор.
...real actions, and therefore, willingly permit it to be contracted when we only see their imitation. It will be asked, how the drama moves, if it is not credited....to be done. The reflection that strikes the heart is not, that the evils before us are real evils, but that they are evils to which we ourselves may... | |
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It will be asked how the drama moves if it is not credited. It is credited with all the credit due to a drama. It is credited, whenever it moves, as a just picture of a real original, as representing to the auditor what he would himself feel if he were... 
