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" What gesture shall we appropriate to this ? What has the voice or the eye to do with such things ? But the play is beyond all art, as the tamperings with it shew : it is too hard and stony : it must have love-scenes, and a happy ending. "
The Works of Charles Lamb: In Two Parts - Сторінка 26
автори: Charles Lamb - 1818
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The Complete Works of William Shakespeare: With Historical and ..., Том 6

William Shakespeare - 1901
...beyond all art, as the tamperings with it show: it is too hard and stony; it must have love scenes, and a happy ending. It is not enough that Cordelia...Leviathan, for Garrick and his followers, the showmen of scene, to draw the mighty beast about more easily. A happy ending! — as if the living martyrdom that...
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The Works of William Shakespeare, Том 14

William Shakespeare - 1901
...beyond all art, as the tamperings with it show: it is too hard and stony; it must have love scenes, and a happy ending. It is not enough that Cordelia...Leviathan, for Garrick and his followers, the showmen of scene, to draw the mighty beast about more easily. A happy ending! — as if the living martyrdom that...
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The Collected Works of William Hazlitt: The Round table. Characters of ...

William Hazlitt - 1902
...ordinary purposes of life, but exerting its powers, as the wind blows where it listeth, at will on the corruptions and abuses of mankind. What have looks...this Leviathan, for Garrick and his followers, the shewmen of the scene, to draw it about more easily. A happy ending ! — as if the living martyrdom...
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The Collected Works of William Hazlitt: The Round table. Characters of ...

William Hazlitt - 1902
...What have looks or tones to do with that sublime identification of his age with that of the heawens themselves, when in his reproaches to them for conniving...this Leviathan, for Garrick and his followers, the shewmen of the scene, to draw it about more easily. A happy ending! — as if the living martyrdom...
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The Collected Works of William Hazlitt: The Round table. Characters of ...

William Hazlitt - 1902
...looks or tones to do with that sublime identification of his age with that of the heavens themselvet, when in his reproaches to them for conniving at the...this Leviathan, for Garrick and his followers, the shewmen of the scene, to draw it about more easily. A happy ending! — as if the living martyrdom...
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Critical essays

Charles Lamb, Mary Lamb - 1903
...reasoning, immethodized from the ordinary purposes of life, but exerting its powers, as the wind bloweth where it listeth, at will upon the corruptions and...and stony ; it must have love-scenes, and a happy 3* ending. It is not enough that Cordelia is a daughter, she must shine as a lover too. Tate has put...
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Chambers's Cyclopaedia of English Literature: A History Critical and ..., Том 3

Robert Chambers - 1903
...such things ? But the play is beyond »B art, »s the tamperings with it show : it is too hard :nd H •hine as a lover too. Tate has put his hook in the nostrils of this Leviathan for Garrick and his...
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Chamber's Cyclopædia of English Literature, Том 3

Robert Chambers - 1904
...or ihe eye to do with such things? But the play is beyond all art, as the tamperings with it show : it is too hard and stony ; it must have love-scenes,...Cordelia is a daughter, she must shine as a lover too. Täte has put his hook in the nostrils of this Leviathan for Garrick and his followers, the showmen...
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Shakespeare's Tragedy of King Lear: With Preface, Glossary, &c

William Shakespeare - 1904 - 188 стор.
...beyond all art, as the tamperings with it show : it is too hard and stony ; it must have love scenes, and a happy ending. It is not enough that Cordelia...Leviathan, for Garrick and his followers, the showmen of scene, to draw the mighty beast about more easily. A happy ending 1— as if the living martyrdom that...
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Shakespeare's Tragedy of King Lear

William Shakespeare - 1907 - 257 стор.
...marriage bell. It is to this adaptation that Lamb refers when he says that " Tate has put his hook into the nostrils of this Leviathan, for Garrick and his followers, the showmen of scene, to draw the mighty beast about more easily." For acting, perhaps the Tate version is more easy...
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