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" What gesture shall we appropriate to this ? What has the voice or the eye to do with such things ? But the play is beyond all art, as the tamperings with it shew : it is too hard and stony : it must have love-scenes, and a happy ending. "
The Works of Charles Lamb: In Two Parts - Сторінка 26
автори: Charles Lamb - 1818
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King Lear. Romeo and Juliet. Hamlet. Othello

William Shakespeare - 1848 - 536 стор.
...and a happy ending. It is not enough that Cordelia is a daughter, she must shine as a lover too. Fate has put his hook in the nostrils of this leviathan, for Garrick anch his followers, the showmen of the scene, to draw it about more easily. A happy ending!—as if...
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The dramatic (poetical) works of William Shakspeare; illustr ..., Том 7

William Shakespeare - 1851 - 602 стор.
...or the eye to do with such things ? But the play is beyond all art, as the tamperings with it show ; it is too hard and stony ; it must have love-scenes,...Cordelia is a daughter, she must shine as a lover too. Fate has put his hook in the nostrils of this leviathan, for Garrick and his followers, the showmen...
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The Dramatic Works of William Shakspeare: King Lear. Romeo and Juliet ...

William Shakespeare - 1851 - 532 стор.
...or the eye to do with such things ? But the play is beyond all art, as the tamperings with it show ; it is too hard and stony ; it must have love-scenes,...Cordelia is a daughter, she must shine as a lover too. Fate has put his hook in the nostrils of this leviathan, for Garrick and his followers, the showmen...
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The Works of Charles Lamb

Charles Lamb - 1852 - 684 стор.
...or the eye to do with such things ? But the play is beyond all art, as the tamperings with it show : and he could not marry her, he would j deserve to...; yet no less is implied in the fact, that having Täte has put his hook in the nostrils of this Leviathan, for Garriek and his followers, the show-men...
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The Miscellaneous Works, Том 2

William Hazlitt - 1854 - 980 стор.
...beyond all art, as the tampering* with U ahow : it is too hard and stony : it must hare loreJosaea, and a happy ending. It is not enough that Cordelia is a daughter, she must »hiue a» a luver t.«>. Tale ban put his h<»k in the nostrils of this Leviathan, for Garrick and...
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Rosamund Gray, Essays, Letters, and Poems

Charles Lamb - 1856 - 440 стор.
...or the eye to do with such things ? But the play is beyond all art, as the tamperings with it show; it is too hard and stony; it must have love-scenes, and a happy ending. It.is not enough that Cordelia is a daughter, she must shine as a lover too. Tate has put his hook...
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Lectures on the British Poets, Том 1

Henry Reed - 1857 - 424 стор.
...or the eye to do with such things ? But the play is beyond all art, as the tamperings with it show. It is too hard and stony ; it must have love-scenes...Cordelia is a daughter; she must shine as a lover too A happy ending! — As if the living martyrdom that Lear had gone through, the flaying of his feelings...
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Bombay Quarterly Review, Том 5

1857 - 848 стор.
...40 a happy ending. It is not enough that Cordelia is a daughter, she must shine as a lover too. Fate has put his hook in the nostrils of this Leviathan,...and his followers, the showmen of the scene, to draw it about more easily. A happy ending !—as if the living martyrdom that Lear has gone through, the...
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The Bombay Quarterly Review, Том 5

1857 - 434 стор.
...tamperings with it show : it is too hard and strong ; it must have love-scenes, and yoi,. v. — NO ji. 4fl a happy ending. It is not enough that Cordelia is a daughter, she must shine as a lover too. Fate has put his hook in the nostrils of this Leviathan, for Garrick and his followers, the showmen...
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Lectures on the Dramatic Literature of the Age of Elizabeth

William Hazlitt - 1859 - 494 стор.
...or the eye to do with such things ? But the play is beyond all art, as the tamperings with it show : it is too hard and stony : it must have love-scenes,...and his followers, the showmen of the scene, to draw it about more easily. A happy ending ! — as if the living martyrdom that Lear had gone through, —...
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