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" What we see upon a stage is body and bodily action ; what we are conscious of in reading is almost exclusively the mind and its movements : and this, I think, may sufficiently account for the very different sort of delight with which the same play so... "
Rosamund Gray: Recollections of Christ's Hospital, Etc. Etc - Сторінка 125
автори: Charles Lamb - 1835 - 356 стор.
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Poems, Plays and Miscellaneous Essays of Charles Lamb

Charles Lamb - 1893 - 450 стор.
...feel this, as is apparent by tht»'<>- upon a stage is body and bodily action ; what we are consciocis of in reading is almost exclusively the mind, and...different sort of delight with which the same play BO often affects us in the reading and the seeing. It requires little reflection to perceive, that...
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Miscellaneous prose (1798-1834)

Charles Lamb - 1913 - 596 стор.
...— to overpower and reconcile the first and obvious prejudices.1 What we see upon a stage is body and bodily action ; what we are conscious of in reading...It requires little reflection to perceive, that if thosecharacters in Shakspeare which are within the precincts of nature, have yet something in them...
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Essays of Charles Lamb

Charles Lamb - 1904 - 460 стор.
...obvious prejudices.1 What we see upon a stage is body and bodily action ; what we are conscious 20 of in reading is almost exclusively the mind, and...so often affects us in the reading and the seeing. 1 The error of supposing that because Othello's colour does not offend us in the reading, it should...
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Specimens of Modern English Literary Criticism

William Tenney Brewster - 1907 - 424 стор.
...such a fallacy as supposing that an Adam and Eve in a picture shall affect us just as they do in the what we are conscious of in reading is almost exclusively...reflection to perceive, that if those characters in Shakespeare which are within the precincts of nature, have yet somethtng in them which appeals too...
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Specimens of Modern English Literary Criticism

William Tenney Brewster - 1907 - 424 стор.
...such a fallacy as supposing that an Adam and Eve in a picture shall affect us just as they do in the what we are conscious of in reading is almost exclusively...reflection to perceive, that if those characters in Shakespeare which are within the precincts of nature, have yet something in them which appeals too...
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Readings in English Prose of the Nineteenth Century

Raymond Macdonald Alden - 1917 - 716 стор.
...— to overpower and reconcile the first and obvious prejudices.1 What we see upon a stage is body and bodily action; what we are conscious of in reading...so often affects us in the reading and the seeing. . . . Is The Tempest of Shakespeare at all a fit subject for stage representation? It is one thing...
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Readings in English Prose of the Nineteenth Century, Частина 1

Raymond Macdonald Alden - 1917 - 366 стор.
...obvious prejudices.1 What we see upon a stage is body and bodily action; what we are conscious of hi reading is almost exclusively the mind and its movements;...so often affects us in the reading and the seeing. . . . Is The Tempest of Shakespeare at all a fit subject for stage representation? It is one thing...
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Critical Essays of the Early Nineteenth Century

Raymond Macdonald Alden - 1921 - 458 стор.
...unseen—to overpower and reconcile the first and obvious prejudices. 21 What we see upon a stage is body and bodily action; what we are conscious of in reading...so often affects us in the reading and the seeing. 21 The error of supposing that, because Othello's color does not offend us in the rending, it should...
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English Critical Essays (nineteenth Century)

Edmund David Jones - 1924 - 636 стор.
...picture shall affect us just as they do in the poem. But in the poem we for a while hav« Paradisaical and bodily action ; what we are conscious of in reading...reflection to perceive, that if those characters in Shakespeare which are within the precincts of nature, have yet something in them which appeals too...
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Theories of the Theatre: A Historical and Critical Survey from the Greeks to ...

Marvin A. Carlson - 1993 - 564 стор.
...""Ibid., 165. 21Ibid., 144. 22Ibid., 1:99. 224 works against this. "What we see upon the stage is body and bodily action; what we are conscious of in reading is almost exclusively the mind and its movements."23 In reading we can draw from our imagination only such elements of costume, scenery, and...
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