 | Samuel Johnson - 1825 - 506 стор.
...formality nf 3 sfitilgj stylejn which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods" modelled ; every...animated, and vigorous ; what is little, is gay ; what \j is great, is splendid. He may be thought to mention himself too frequently ; but, while he forces... | |
 | William Samuel Cardell - 1825 - 276 стор.
...first half of the sentence betrays the other. The clauses are never balanced, nor the periods modeled ; every word seems to drop by chance, though it falls...what is little, is gay; what is great, is splendid. Though all is easy, nothing is feeble; though all seems careless, there is nothing harsh ; and though,... | |
 | Samuel Johnson - 1826 - 430 стор.
...formality of a settled style, in which the first half the sentence betrays the other. The pauses are never balanced, nor the periods modelled ; every word...place. Nothing is cold or languid; the whole is airy, antmated, and vigorous ; what is little, is gay ; what is great, is splendid. He may be thought to... | |
 | Walter Scott - 1826 - 532 стор.
...formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled ; every word...into its proper place. Nothing is cold or languid : ten occurs in Shakspeare, both as a substantive and verb. And many other of the above words may be... | |
 | Walter Scott - 1826 - 526 стор.
...formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled ; every word...into its proper place. Nothing is cold or languid ; ten occurs in Shakspeare, both as a substantive and verb. And many other of the above words may be... | |
 | Alexander Jamieson - 1826 - 320 стор.
...halanced, nor the periods moduli'ed ; every word seems to drop hy chanee, though it falls into its pnilier place. Nothing is cold or languid, the whole is airy, animated, and vigorous ; what is liule, is gay ; what is great, is splendid. Though all is easy, nothing is feehle ; though all *eems... | |
 | Hugh Blair - 1829 - 648 стор.
...gives himself no tiouble about ; periods modelled ; every word seems to drop bv chance, though it fulls into its proper place. Nothing is cold or languid...whole is airy, animated and vigorous ; what is little >- gay, what is great is splendid. Though all \s easy, nothing' is feeble; though all seems careless,... | |
 | Hugh Blair - 1833 - 654 стор.
...meaning, in good language, distinct and pure; any further ornament, he gives himself no tiouble about; periods modelled ; every word seems to drop by chance, though it falls into iti proper place. Nothing is cold or languid ; the whole is airy, animated and vigorous ; what is little... | |
 | Walter Scott - 1834 - 516 стор.
...formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled; every word...cold or languid ; the whole is airy, animated, and 1 Shakspeare has capricious, conversation, fatigate (if not fatigue], Jigwe, gallant, good graces ;... | |
 | Walter Scott - 1834 - 486 стор.
...formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled ; every word...cold or languid ; the whole is airy, animated, and 1 Shakspeare has capridous, conversation, fatigate (if not fatigue), figure, gallant, good graces ;... | |
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They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled; every word seems to drop by chance, though it falls into its proper place. 
