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Книги Книги 51 - 60 з 154 у They have not the formality of a settled style, in which the first half of the sentence....
" They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled; every word seems to drop by chance, though it falls into its proper place. "
The Waverley Novels: With the Author's Last Corrections and Additions
автори: Walter Scott - 1847
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Essay on Language: As Connected with the Faculties of the Mind, and as ...

William Samuel Cardell - 1825 - 203 стор.
...first half of the sentence betrays the other. The clauses are never balanced, nor the periods modeled ; every word seems to drop by chance, though it falls...what is little, is gay; what is great, is splendid. Though all is easy, nothing is feeble; though all seems careless, there is nothing harsh ; and though,...
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The lives of the English poets, Том 1

Samuel Johnson - 1826 - 420 стор.
...formality of a settled style, in which the first half the sentence betrays the other. The pauses are never balanced, nor the periods modelled ; every word...place. Nothing is cold or languid; the whole is airy, antmated, and vigorous ; what is little, is gay ; what is great, is splendid. He may be thought to...
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Memoirs of John Dryden

Sir Walter Scott - 1826 - 277 стор.
...formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled ; every word...into its proper place. Nothing is cold or languid : ten occurs in Shakspeare, both as a substantive and verb. And many other of the above words may be...
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Memoirs of John Dryden

Walter Scott - 1826 - 277 стор.
...formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled ; every word...into its proper place. Nothing is cold or languid ; ten occurs in Shakspeare, both as a substantive and verb. And many other of the above words may be...
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A Grammar of Rhetoric and Polite Literature: Comprehending the Principles of ...

Alexander Jamieson - 1826 - 306 стор.
...halanced, nor the periods moduli'ed ; every word seems to drop hy chanee, though it falls into its pnilier place. Nothing is cold or languid, the whole is airy, animated, and vigorous ; what is liule, is gay ; what is great, is splendid. Though all is easy, nothing is feehle ; though all *eems...
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Lectures on Rhetoric and Belles Lettres

Abraham Mills - 1829 - 557 стор.
...gives himself no tiouble about ; periods modelled ; every word seems to drop bv chance, though it fulls into its proper place. Nothing is cold or languid...whole is airy, animated and vigorous ; what is little >- gay, what is great is splendid. Though all \s easy, nothing' is feeble; though all seems careless,...
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Lectures on Rhetoric and Belles Lettres: To which are Added Copious ...

Hugh Blair - 1833 - 557 стор.
...meaning, in good language, distinct and pure; any further ornament, he gives himself no tiouble about; periods modelled ; every word seems to drop by chance, though it falls into iti proper place. Nothing is cold or languid ; the whole is airy, animated and vigorous ; what is little...
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The Prose Works of Sir Walter Scott, Bart: Life of Dryden

Sir Walter Scott - 1834
...formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled; every word...cold or languid ; the whole is airy, animated, and 1 Shakspeare has capricious, conversation, fatigate (if not fatigue], Jigwe, gallant, good graces ;...
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The Miscellaneous Prose Works of Sir Walter Scott, Том 1

Sir Walter Scott - 1834
...formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled ; every word...cold or languid ; the whole is airy, animated, and 1 Shakspeare has capridous, conversation, fatigate (if not fatigue), figure, gallant, good graces ;...
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The Works of Samuel Johnson, LL. D.: Lives of the poets

Samuel Johnson - 1837
...sentence betrays the other. The pauses axe never balanced, nor the periods modelled ; every word scorns Petrarch, from whom I himself too frequently; but, while he forces himself upon our esteem, we cannot refuse him to stand...
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