 | Wilmot Harrison - 1893 - 144 стор.
...and simplicity. ... I think his countenance was more massive than it looks in any of his portraits. There was a strong expression of sense and shrewdness...lineaments ; the eye alone, I think, indicated the poet's character and temperament. It was large, and of a cast which glowed, I say literally glowed,... | |
 | Robert Chambers - 1894 - 158 стор.
...Scotch school — ie, none of your modern agriculturists, who keep labourers for their drudgery, but the douce gudeman who held his own plough. There was...and temperament. It was large and of a dark cast, and glowed — I say literally glowed — when he spoko with feeling or interest. I never saw such... | |
 | James Logie Robertson - 1894 - 388 стор.
...shrewdness which were powerfully expressed in all his lineaments. " His eye alone," wrote Scott, " indicated the poetical character and temperament. It was large, and of a dark cast, and literally glowed when he spoke with feeling or interest. I never saw such another eye in a human... | |
 | James Thomson - 1896 - 502 стор.
...Scott on Burns: "I think his countenance was more massive than it looks in any of the portraits. . . . There was a strong expression of sense and shrewdness...and temperament. It was large and of a dark cast, and glowed (I say \\iera\\yglowed) when he spoke with feeling or interest. I never saw such another... | |
 | Thomas Carlyle - 1896 - 126 стор.
...old Scotch school, B ie none of your modern agriculturists who keep laborers for their drudgery, but the douce gudeman who held his own plough. There was...indicated the poEtical character and temperament. 10 It was large, and of a dark cast, which glowed (I say literally glowed) when he spoke with feeling... | |
 | James Thomson - 1896 - 692 стор.
...Scott on Burns : "I think his countenance was more massive than it looks in any of the portraits. . . . There was a strong expression of sense and shrewdness...and temperament. It was large and of a dark cast, and glowed (I say literally glowed) when he spoke with feeling or interest. I never saw such another... | |
 | Robert Burns - 1896 - 462 стор.
...is, none of your modern agriculturists, who keep labourers for their drudgery, but the duw.e guidman who held his own plough. There was a strong expression...eye alone, I think, indicated the poetical character * Langhorne wrote "The Country Justice,' a poem in three parts, at the request of Richard Burn, author... | |
 | Thomas Carlyle - 1896 - 180 стор.
...modern agriculturists who keep labourers for their drudgery, but the douce gudeman who held his o\vn plough. There was a strong expression of sense and shrewdness in all his lineaments; 35 the eye alone, I think, indicated the poetical character and temperament. It was large, and of a... | |
 | Thomas Carlyle - 1897 - 180 стор.
...old Scotch school, is none of 25 your modern agriculturists who keep laborers for their drudgery, but the douce gudeman who held his own plough. There was...was large, and of a dark cast, which glowed (I say 30 literally glmaed ) when he spoke with feeling or interest. I never saw such another eye in a human... | |
 | Thomas Carlyle - 1897 - 176 стор.
...old Scotch school, ie none of 25 your modern agriculturists who keep laborers for their drudgery, but the douce gudeman who held his own plough. There was...was large, and of a dark cast, which glowed (I say 30 literally glowed ) when he spoke with feeling or interest. 1 never saw such another eye in a human... | |
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There was a strong expression of sense and shrewdness in all his lineaments ; the eye alone, I think, indicated the poetical character and temperament. It was large, and of a dark cast, and glowed (I say literally glowed) when he spoke with feeling or... 
