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" There is another kind of great geniuses which I shall place in a second class, not as I think them inferior to the first, but only for distinction's sake, as they are of a different kind. This second class of great geniuses are those* that have formed... "
The British Essayists - Сторінка 128
редактори - 1808
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Les âges de la vie en Grande-Bretagne au XVIIIe siècle: actes de colloques ...

Serge Soupel - 1995 - 233 стор.
...other hand, which included Plato, Virgil and Milton, was defined as "those that have formed themselves by rules, and submitted the greatness of their natural talents to the corrections and restreints of art" (Abrams 187). One can immediately see Addison's employaient of the stages of life....
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Sophie La Roche: Paradoxien weibelichen Schreibens im 18. Jahrhundert

Gudrun Loster-Schneider - 1995 - 502 стор.
...kind. This second Class of great Genius's are those that have formed themselves by Rules, and suhmitted the Greatness of their natural Talents to the Corrections and Restraints of Art."67 Es bedarf kaum mehr des Hinweises auf die Natur- und Pflanzenmetaphorik, das explizite Plädoyer...
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Portraits of American Women: From Settlement to the Present

G. J. Barker-Benfield, Catherine Clinton - 1998 - 603 стор.
...their own times and the wonder of posterity." The second kind is artists who "have formed themselves by rules and submitted the greatness of their natural...talents to the corrections and restraints of art." Addison claims to make no disparaging comparison between the two types of genius, but he does admit...
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Selbstreflexion im Spiegel des Anderen: eine wirkungsgeschichtliche Studie ...

Irene Polke - 1999 - 423 стор.
...are of a different kind. 15 This second Class of great Genius's are those that have formed themselves by Rules, and submitted the Greatness of their natural...Talents to the Corrections and Restraints of Art. 16 Such among the Greeks wen Plato and Aristotle, among the Romans Virgil and Tully, among the English...
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Studies in Criticism and Aest

Howard Anderson - 1999 - 419 стор.
...of writers that includes Vergil and Milton as examples, describing them as having "formed themselves by Rules, and submitted the Greatness of their natural...Talents to the Corrections and Restraints of Art" (no. 160). Though in the second class, Vergil and Milton are not inferior to Homer and Solomon. Addison...
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The Making of the English Literary Canon: From the Middle Ages to the Late ...

Trevor Ross, Trevor Thornton Ross - 2000 - 400 стор.
...Rules." Yet Addison, risking a relativity of values, refrained from ranking one class above the other: "The Genius in both these Classes of Authors may be...great, but shews itself after a different Manner." In proposing an interpretation of how geniuses might differ though still achieve equal greatness, Addison...
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The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of ...

Peter Kivy, Professor of Philosophy Peter Kivy, Peter KY - 2001 - 287 стор.
...a different kind. This second class of great geniuses are those that have formed themselves by the rules, and submitted the greatness of their natural talents to the corrections and restraints of art."4 On Addison's view, then, the Longinian, natural genius is complemented by a "learned" genius...
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Labouring Muses

William J. Christmas - 2001 - 364 стор.
...Although Addison seeks to avoid favoring one kind of poetic genius over the other, noting explicitly that "the Genius in both these Classes of Authors may be equally great," his rhapsodizing on the natural variety early on ("There appears something nobly wild and extravagant...
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Giacomo Leopardi e il sublime: archeologia e percorsi di una idea estetica

Raffaele Gaetano - 2002 - 502 стор.
...p. 290. tomisero la grandezza dei loro talenti naturali alle correzioni e alle limitazioni dell'arte [«and submitted the Greatness of their natural Talents to the Corrections and Restraints of Art»]»59. Tra i Greci, risposero a questi requisiti Piatone e Aristotele; tra i Romani, Virgilio...
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Knowledge and Indifference in English Romantic Prose

Tim Milnes - 2003
...Addison hesitates to subordinate this second class of genius, or 'those that have formed themselves by Rules, and submitted the Greatness of their natural...Talents to the Corrections and Restraints of Art', to the first. It is only when he comes to the question of imitation that his true allegiance emerges,...
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