 | William Shakespeare - 2001 - 304 стор.
...voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, The Tragedie of Hamlet 95 your death, you were better haue a bad Epitaph, then their... | |
 | Anthony B. Dawson, Paul Yachnin - 2001 - 240 стор.
...enormously affecting one at that, a point of which Hamlet is acutely aware - "For Hecuba! / What's Hecuba to him, or he to Hecuba, / That he should weep for her?" (2.2.558-60). The answer is that Hecuba is a figure for trauma, a memorial within the play for Hamlet... | |
 | P. E. Easterling, Edith Hall - 2002 - 550 стор.
...voice, and his whole function suiting With forms to his conceit? And all for nothing? For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? Hamlet goes on to ask what this actor would do if he had the same cause for passion as Hamlet - amongst... | |
 | David Schalkwyk - 2002 - 284 стор.
...uncanny ability to move himself and others in the absence of any immediate, personal cause: 'What's Hecuba to him, or he to Hecuba / That he should weep for her?' (2.2.561-2). This is the energeia of which the anti-theatricalists were so suspicious, but of which... | |
 | Kenneth Muir - 2002 - 260 стор.
...pretence is brought in to buttress reality, to shore it up - and take its place? For in the end: What's Hecuba to him or he to Hecuba That he should weep for her? The two most remarkable examples in Shakespeare of a person being taken in by a fiction are associated... | |
 | Rudolf Köster - 2003 - 224 стор.
...ihn sein): In Shakespeares »Hamlet«, im Monolog Hamlets am Ende des 2. Aktes, sagt dieser: »What's Hecuba to him, or he to Hecuba, that he should weep for her?« = »Was ist ihm (dem Schauspieler, der Hekubas tragisches Schicksal vorträgt) Hekuba, und was ist... | |
 | David Lee Miller - 2003 - 268 стор.
...this wrenching appeal to equally mysterious questions about the power of dramatic empathy: "What's Hecuba to him, or he to [Hecuba], / That he should weep for her?" (2.2.558-59). The emotional force of this scenario carries through the pathetic death scenes of Dickens's... | |
 | John Gibson, Wolfgang Huemer - 2004 - 376 стор.
...voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? (3.1.552-62) Hamlet confronts here the negation of his earlier disavowal of mere "forms." Whereas he... | |
 | Salvo Pitruzzella - 2004 - 216 стор.
...voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba That he should weep for her? (Shakespeare, Hamlet) Fictions In the last period of his life, the Russian director Andrei Tarkovskij... | |
 | Paul A. Cantor - 2004 - 122 стор.
...lines which in their balance and pointed quality have the perfection of a classical epigram: What's Hecuba to him. or he to Hecuba. That he should weep for her? (II.ii.5 59-60) As Hamlet turns to apply the lesson of the actor to his own case. his speech becomes... | |
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What's Hecuba to him, or he to Hecuba, That he should weep for her/ What would he do, Had he the motive and the cue for passion That I have... 
