| Sir Walter Scott - 1834 - 418 стор.
...Johnson, " It is false, that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited." There is a conventional treaty between the author and the audience, that, upon certain suppositions... | |
| 1837 - 336 стор.
...false. It is false that any representation is mistaken for reality, that any dramatic fable in its materiality was ever credible, or for a single moment...when the play opens, the spectator really imagines himsejf at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that... | |
| William Shakespeare - 1838 - 1130 стор.
...false. It is false, that any representation is mistaken for reality ; that any dramatic fable in its Ò ' ބn n Xy 0m Zb >F k ˿ x |?1 W OO ana believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days... | |
| William Shakespeare - 1838 - 790 стор.
...any dramatic fable in Us materiality was ever credible, or, for a single momeol, was ever crediled. d mathematics: his name spectalor really imagines himself at Alexandria, and believes lhat his walk to the Ihealre has been... | |
| William Shakespeare - 1839 - 550 стор.
...false. It is false, that any representaJ tion is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment,...supposes, that when the play opens, the spectator really ima. • ^ 1 gines himself at Alexandria, and believes that his walk to the theatre has been a voyage... | |
| Sir Joshua Reynolds - 1824 - 318 стор.
...says, " It is false that any representation is mistaken for reality; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The truth is, that the spectators are always in their senses, and know, from the first act to the last,... | |
| 1844 - 828 стор.
...of the drama — tiie development of charac(••r and passion. " The objection," siuí Dr Johnson, "arising from the impossibility of passing the first hour at Alexandria, and the next at Home, .-upnoses that, when the play opens, ilit spectator really imagines himself at Alexandria, and"... | |
| William Shakespeare - 1867 - 530 стор.
...false. It is false that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or for a single moment...passing the first hour at Alexandria and the next at Home, supposes that when the play opens the spectator really imagines himself at Alexandria, and believes... | |
| Samuel Taylor Coleridge - 1893 - 190 стор.
...13:28. "It is false that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment was ever credited. . . The truth is, that the spectators are always in their senses, and know, from the first act to the last,... | |
| Samuel Henry Butcher - 1895 - 418 стор.
...generally held to follow as a corollary from Unity of Time.8 Corneille, the that any dramatic fable, in its materiality, was ever credible, or for a single moment was ever credited.' Dr. Johnson, Preface to Sfudcspeare. 1 With regard to Unity of Place Corneille says : « Cela aiderait... | |
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