 | William Shakespeare - 1919 - 346 стор.
...real elements, than any actor can be to represent Lear: they might more easily propose to personate the Satan of Milton upon a stage, or one of Michael...storms turning up and disclosing to the bottom that sea of his mind, with all its vast riches. It is his mind which is laid bare. This case of flesh and blood... | |
 | William Shakespeare - 1922 - 280 стор.
...real elements than any actor can be to represent Lear ; they might more easily propose to personate the Satan of Milton upon a stage, or one of Michael...greatness of Lear is not in corporal dimension, but in inteilectual : the explosions of his passion are terrible as a volcano ; they are storms turning up... | |
 | Francis Griffin Stokes - 1924 - 386 стор.
...might more easily propose to personate the Satan of Milton upon a stage, or one of Michael Angclo'a terrible figures. The greatness of Lear is not in...explosions of his passion are terrible as a volcano, they aro storms turning up and disclosing to the bottom that sea, his mind, with all its vast riches. It... | |
 | Amy Lowell - 1925 - 708 стор.
...greatness of Lear is not in corporal dimension, but in intellectual; the explosions of his passions are terrible as a volcano: they are storms turning up and disclosing to the bottom that rich sea, his mind, with all its vast riches. p. 176. ... we see not Lear, but we are Lear; . . .in... | |
 | Amy Lowell - 1925 - 1322 стор.
...woven together is almost as wonderful in the way of art as the carrying on the tide of passion. p. 175. The greatness of Lear is not in corporal dimension, but in intellectual; the explosions of his passions are terrible as a volcano: they are storms turning up and disclosing to the bottom that rich... | |
 | William Shakespeare - 1926 - 328 стор.
...inadequate to represent the horrors of the real elements, than any actor can be to represent Lear. The greatness of Lear is not in corporal dimension, but in intellectual. " Criticise or discuss this statement. g § u e under vert 'd nvenlent I 3 1 I ''n' i o •3 £ M i... | |
 | Carol Shiner Wilson, Joel Haefner - 1994 - 356 стор.
...the feeling which the acting of Lear ever produced in me. But the Lear of Shakespeare cannot be acted The greatness of Lear is not in corporal dimension, but in intellectual: . . . On the stage we see nothing but corporal infirmities and weakness, the impotence of rage; while... | |
 | Grace Ioppolo - 2003 - 208 стор.
...greatness of Lear is not in corporal dimension, but in intellectual: the explosions of his passion are as terrible as a volcano: they are storms turning up and disclosing to the bottom of that sea, his mind, with all its vast riches. It is his mind which is laid bare. This case of flesh... | |
 | Joan Fitzpatrick - 2004 - 198 стор.
...- that is all the feeling which the acting of Lear ever produced in me. But the Lear of Shakespeare cannot be acted. The contemptible machinery, by which...is not in corporal dimension, but in intellectual ... .On the stage we see nothing but corporal infirmities and weakness, the impotence of rage; while... | |
 | William Shakespeare - 2008 - 380 стор.
...imagination. There is further reason, which is not expressed, but still emerges, in these words of Lamb's: "the explosions of his passion are terrible as a volcano:...bottom that sea, his mind, with all its vast riches." Yes, "they are storms." For imagination, that is to say, the explosions of Lear's passion, and the... | |
| |
The greatness of Lear is not in corporal dimension, but in intellectual : the explosions of his passion are terrible as a volcano : they are storms turning up and disclosing to the bottom that sea, his mind, with all its vast riches. 
