 | Oswald Doughty - 1922 - 488 стор.
...of the passers-by : I wander thro' each charter'd street, Near where the charter'd Thames doth flow. And mark in every face I meet Marks of weakness, marks...voice, in every ban, The mind-forg'd manacles I hear. J Such in general was Blake's conception of love. In essence Blake was right, as he generally was in... | |
 | Adolph Charles Babenroth - 1922 - 420 стор.
...anything on earth.' I wander thro' each chartered street, Near where the chartered Thames does flow, And mark in every face I meet Marks of weakness, marks of woe. The Chimney-Sweeper is important because it reflects the benevolist doctrine that man is made for happiness... | |
 | Arthur Symons - 1924 - 176 стор.
...chartered Streets," the cry of the chimney-sweeper, of the soldier, of the harlot ; and he says : " In every cry of every man, In every infant's cry of fear, In every voice, in every ban, The mind-forged manacles I hear." Into these lines he condenses much of his gospel. What Blake moSt hated... | |
 | Eric Partridge - 1924 - 284 стор.
...statement of some critics that Blake lacked the human touch and neglected the personal element in verse : In every cry of every man, In every infant's cry of fear, In every voice, in every ban. Much more restricted in subject than "London", the "Little Girl Lost" and "A Cradle Song" ("Sleep,... | |
 | Harold Lawton Bruce - 1925 - 272 стор.
...There, Blake wrote, I wander thro' each charter'd street, Near where the charter'd Thames does flow, And mark in every face I meet Marks of weakness, marks...manacles I hear. How the chimney-sweeper's cry Every black'ning church appals; And the hapless soldier's sigh Runs in blood down palace walls. But most... | |
 | William Blake - 1925 - 558 стор.
...does flow, And mark in every face I meet Marks of weakness, marks of woe. In every cry of every Man, l In every Infant's cry of fear, In every voice, in...manacles I hear. How the chimney-sweeper's cry Every black'ning church appals ; 10 And the hapless soldiers sigh Runs in blood down palace walls. But most... | |
 | Osbert Burdett - 1926 - 216 стор.
...Sit in a cage and sing? And he finds the explanation not in their circumstances but in themselves : In every cry of every Man, In every Infant's cry of...voice, in every ban, The mind-forg'd manacles I hear. All forms of external control were to Blake the enemy of imagination, and he was right in so far as... | |
 | William Blake - 1927 - 120 стор.
...delight. London refutes the view that Blake lacked the human touch and neglected the personal element: In every cry of every man, In every infant's cry of fear, In every voice, in every ban, The mind-forged manacles I hear. In such lines, obviously, there is also the mark, left by the French Revolution.... | |
 | Ronald Carter, John McRae - 2001 - 598 стор.
...every face I meer Marks of weakness, marks of woe. In every cty of every Man, In every Infant's cty of fear, In every voice, in every ban, The mind-forg'd manacles I hear. This political view of London contrasts with Wordsworth's Sonner Composed Upon Westmintter Bridge (1802)... | |
 | Gregory Orr - 2002 - 250 стор.
...them physically: I wander through each charter'd street, Near where the charter'd Thames does flow. And mark in every face I meet Marks of weakness, marks...voice, in every ban, The mind-forg'd manacles I hear. Blake hears and speaks for the miserable: chimney sweeps, soldiers, young prostitutes, and the urban... | |
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I wander thro' each charter'd street Near where the charter'd Thames does flow, And mark in every face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infant's cry of fear, In every voice, in every ban, The mind-forg'd manacles... 
