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" No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight,... "
Secular annotations on Scripture texts - Сторінка 113
автори: Francis Jacox - 1871
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Opportunity, Томи 3 – 4

1925
...his preface to "The Marble Faun" has accounted for them. "No author," he writes, "without a trial can conceive of the difficulty of writing a romance about a country where therp is no shadow, no antiquity, no mystery, no picturesque or gloomy wrong, nor anything but a commonplace...
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The Atlantic Monthly, Том 45

1880
...terribly insisted upon as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty of writing a romance about...native land. It will be very long, I trust, before romance-writers may find congenial and easily handled themes, either in the annals of our stalwart...
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Making America: The Society & Culture of the United States

Luther S. Luedtke - 1992 - 554 стор.
...of art and nationality, observed in his preface to The Marble Faun: "No author, without a trial, can conceive of the difficulty of writing a romance about...as is happily the case with my dear native land." The challenge to furnish the nation with a native literature and culture preoccupied American artists...
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Islamic & European Expansion: The Forging of a Global Order

Michael Adas - 1993 - 379 стор.
...blandness that Nathaniel Hawthorne, looking for materials for his novels, complained of his country: "There is no shadow, no antiquity, no mystery, no...common-place prosperity, in broad and simple daylight." 17 The most recent scholarship places beside that plaint a sixteenth- or early seventeenth-century...
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Nathaniel Hawthorne: The Contemporary Reviews

John L. Idol, Jr, John L. Idol, Buford Jones - 1994 - 518 стор.
...in his clumsiest tricks. He forces his apologies to sound like boasting. 'No author,' he says, 'can conceive of the difficulty of writing a romance about...wrong, nor anything but a commonplace prosperity, as is happily' (it must and shall be happily) 'the case with my dear native land. It will be very long,...
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Germs, Seeds & Animals: Studies in Ecological History

Alfred W. Crosby - 1993
...blandness that Nathaniel Hawthorne, looking for materials for his novels, complained of his country: "there is no shadow, no antiquity, no mystery, no...common-place prosperity, in broad and simple daylight. . . ,"18 The most recent scholarship places beside that plaint a sixteenth- or early seventeenth-century...
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The Europeans: A Sketch

Tony Tanner, Patricia Crick - 1984 - 203 стор.
...difficulty in the lack of materials'. James quotes him to this effect: No author, without a trial, can conceive of the difficulty of writing a romance about...daylight as is happily the case with my dear native land. James was determined to avoid that 'lack'. He had, after all, only recently decided to settle in London...
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The Age of Federalism: The Early American Republic, 1788-1800

Stanley Elkins, Eric McKitrick - 1995 - 925 стор.
...42-43, 3. James was here elaborating on Hawthorne's own complaint that "no author, without a trial, can conceive of the difficulty of writing a romance about...broad and simple daylight, as is happily the case in my dear native land." James Fenimore Cooper had said something strikingly similar thirty years before...
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New England - Frommer's Complete Guides: With the Best Historic Sights and ...

Lisa Legarde, Dale Northrup - 1995 - 578 стор.
...without a trial, can conceive of the difficulty of writing a romance about a country [New England] where there is no shadow, no antiquity, no mystery,...daylight, as is happily the case with my dear native land. Preceding and during the Civil War, New England writers such as abolitionist William Lloyd Garrison...
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Innocence, Power, and the Novels of John Hawkes

Rita Ferrari - 1996 - 220 стор.
...complex layering of past and present and of moral ambiguity in Europe to the clean slate of America, "where there is no shadow, no antiquity, no mystery,...common-place prosperity, in broad and simple daylight" (3). But of course Hawthorne set much of his best work in America, exploring shadows and gloom and...
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