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" Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? "
The works of Samuel Foote, esq., with remarks on each play and an essay by ... - Сторінка clxxv
автори: Samuel Foote - 1830
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Hamlet : a Play in One Act

Lindsay Price - 2005 - 47 стор.
...times; and now, how abhorred in my imagination it is! My gorge rises at it. Where be your gibes now? Your gambols? Your songs? Your flashes of merriment, that were wont to set the table on a roar? To what base uses we may return, Horatio! A noise is heard offstage. HAMLET turns to look....
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Essentials of Early English: An Introduction to Old, Middle, and Early ...

Jeremy J. Smith - 2005 - 248 стор.
...Heere hung those lipps, that I haue kist I know not how oft, Where be your libes now? Your Gambals? Your Songs? Your flashes of Merriment that were wont to set the Table on a Rore? No one now to mock your own leering? Quite chopfalne? Now get you to my Ladies Chamber,...
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Laurence Sterne's Tristram Shandy: A Casebook

Tom Keymer - 2006 - 264 стор.
...that he was an epitome of the vanity of all human hopes for lasting fame — "Where be your gibes now, your gambols, your songs, your flashes of merriment, that were wont to set the table on a roar?" (Hamlet Vi 183-85). We must remind ourselves that we tend to read the story of Sterne's...
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The Best-loved Plays of Shakespeare

Jennifer Mulherin, William Shakespeare, Abigail Frost - 2004 - 160 стор.
...excellent fancy; he hath borne me on his back a thousand times; and now . . . Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own Act v Sc i The fatal duel The fencing match begins, but during...
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The Yale Book of Quotations

Fred R. Shapiro, Associate Librarian and Lecturer in Legal Research Fred R Shapiro - 2006 - 1067 стор.
...gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now, tifies t 0 on a roar? Not one now to mock your own grinning? Quite chop-fallen? Now get you to my lady's chamber...
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Laughing and Weeping in Early Modern Theatres

Matthew Steggle - 2007 - 158 стор.
...others: Yorick the jester. Thus, in Act Five, Hamlet addresses Yorick's skull: Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chopfallen? Now get you to my lady's chamber...
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The Cambridge Introduction to Shakespeare's Tragedies

Janette Dillon - 2007
...moment that faces in contradictory directions. The lament for the past ('Where be your jibes now - your gambols, your songs, your flashes of merriment, that were wont to set the table on a roar?' (179-81)) looks back to a classical tradition of lament, known by its Latin name as 'ubi...
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Shakespeare Survey: Volume 60, Theatres for Shakespeare

Peter Holland - 2007 - 381 стор.
...Heere hung those lipps, that I haue kist I know not how oft. Where be your libes now? Your Gambals? Your Songs? Your flashes of Merriment that were wont to set the Table on a Rore? No one now to mock your own leering? Quite chopfalne? Now get you to my Ladies Chamber,...
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Representing Religious Pluralization in Early Modern Europe

Andreas Höfele, Stephan Laqué, Enno Ruge - 2007 - 346 стор.
...its memory, therefore, when the Prince can taunt the skull of the jester: "Where be your gibes now, your gambols, your songs, your flashes of merriment that were wont to set the table on a roar?" But there is no sense in Shakespeare's Janus-like rite de passage that the false fraternisation...
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The Age of the Warrior: Selected Essays by Robert Fisk

Robert Fisk - 2008 - 544 стор.
...gorge rises at it. Here hung those lips that I have kiss'd I know not how oft. Where be your gibes now, your gambols, your songs, your flashes of merriment that were wont to set the table on a roar? Not one now to mock your own grinning quite chapfall'n? And here is Omar Khayyam's contemplation...
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