 No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight,...  The Working man - Сторінка 109Повний перегляд - Докладніше про цю книгу
 | Christopher Sten - 1991 - 372 стор.
...choice of Italy as the setting for his story, uses exactly Ruskin's language to show the impossibility of "writing a romance about a country where there...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad daylight, as is happily the case... | |
 | Luther S. Luedtke - 1992 - 588 стор.
...nationality, observed in his preface to The Marble Faun: "No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple day-light, as is happily... | |
 | Evan Carton - 1992 - 168 стор.
[ Відображення вмісту сторінки заборонено ] | |
 | Ian F. A. Bell - 1993 - 200 стор.
[ Відображення вмісту сторінки заборонено ] | |
 | Gary Richard Thompson - 1993 - 340 стор.
...Romance: Strategies of Narrative Intervention in the Historical Tales No author . . . can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as happily... | |
 | John Dolis - 1993 - 296 стор.
[ Відображення вмісту сторінки заборонено ] | |
 | Graham Clarke - 1993 - 600 стор.
[ Відображення вмісту сторінки заборонено ] | |
| |
