 No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight,...  The Working man - Сторінка 109Повний перегляд - Докладніше про цю книгу
 | Teresa A. Goddu - 1997 - 242 стор.
...Hawthorne puts it in his preface to The Marble Faun (1860), "No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight, as is happily... | |
 | Mark Bauerlein - 1997 - 164 стор.
...ever emerged. James notes that even Hawthorne himself had lamented in his preface to The Marble Faun "the difficulty of writing a Romance about a country where there is no shadow, no antiq37 uity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity,... | |
 | Bryan Homer - 1998 - 484 стор.
...insisted upon, as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty of writing a Romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight, as is happily... | |
 | Sophie Gilmartin - 1998 - 320 стор.
...confirm Hardy's reasons for declining the 'invitation'; No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily... | |
 | Laurie E. Rozakis - 1999 - 500 стор.
...literature was a pale imitation of its British model. Copycats "No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity in broad and simple daylight, as is happily... | |
 | Henry Claridge - 1999 - 716 стор.
...with some very considerable advantages. Not so long before the Civil War Hawthorne had remarked on the difficulty of writing a romance about a country where there is no shadow, no antiquity, no picturesque and gloomy wrong, nor anything but a commonplace prosperity. But now the War and Reconstruction... | |
 | Willie Tolliver - 2000 - 204 стор.
...lustification can be found in the following sentences: No author. without a trial. can conceive of the difficulty of writing a romance about a country where there is no shadow. no mystery. no picturesque and gloomy wrong. nor anything but a commonplace prosperity. in broad and simple... | |
 | Gifra-Adroher, Pere - 2000 - 300 стор.
...of a collective effort to charge it with New World ones. 54 For others, on the other hand, to write "about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight," was as... | |
 | Paul Gilmore - 2001 - 292 стор.
...and "Chiefly About War Matters" to racial difference: "No author, without a trial, can conceive of the difficulty of writing a Romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight, as is happily... | |
 | Wendy Martin - 2002 - 276 стор.
...and Hawthorne (in his preface to The Marble Faun, 1860): No author, without a trial, can conceive of the difficulty of writing a Romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily... | |
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