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" No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight,... "
The Working man - Сторінка 111
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Gothic America: Narrative, History, and Nation

Teresa A. Goddu - 1997 - 226 стор.
...Hawthorne puts it in his preface to The Marble Faun (1860), "No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight, as is happily...
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The Pragmatic Mind: Explorations in the Psychology of Belief

Mark Bauerlein - 1997 - 136 стор.
...ever emerged. James notes that even Hawthorne himself had lamented in his preface to The Marble Faun "the difficulty of writing a Romance about a country where there is no shadow, no antiq37 uity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity,...
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An American Liaison: Leamington Spa and the Hawthornes, 1855-1864

Bryan Homer - 1998 - 472 стор.
...insisted upon, as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty of writing a Romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight, as is happily...
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Ancestry and Narrative in Nineteenth-Century British Literature: Blood ...

Sophie Gilmartin - 1998 - 281 стор.
...confirm Hardy's reasons for declining the 'invitation'; No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily...
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The Complete Idiot's Guide to American Literature

Laurie E. Rozakis - 1999 - 468 стор.
...literature was a pale imitation of its British model. Copycats "No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity in broad and simple daylight, as is happily...
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William Faulkner: Critical Assessments, Том 1

Henry Claridge - 1999 - 2200 стор.
...with some very considerable advantages. Not so long before the Civil War Hawthorne had remarked on the difficulty of writing a romance about a country where there is no shadow, no antiquity, no picturesque and gloomy wrong, nor anything but a commonplace prosperity. But now the War and Reconstruction...
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Henry James as a Biographer: A Self Among Others

Willie Tolliver - 2000 - 181 стор.
...lustification can be found in the following sentences: No author. without a trial. can conceive of the difficulty of writing a romance about a country where there is no shadow. no mystery. no picturesque and gloomy wrong. nor anything but a commonplace prosperity. in broad and simple...
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Between History and Romance: Travel Writing on Spain in the Early Nineteenth ...

Gifra-Adroher, Pere - 2000 - 281 стор.
...of a collective effort to charge it with New World ones. 54 For others, on the other hand, to write "about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight," was as...
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The Genuine Article: Race, Mass Culture, and American Literary Manhood

Paul Gilmore - 2001 - 274 стор.
...and "Chiefly About War Matters" to racial difference: "No author, without a trial, can conceive of the difficulty of writing a Romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight, as is happily...
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The Cambridge Companion to Emily Dickinson

Wendy Martin, Wendy Martin, PH.D. - 2002 - 248 стор.
...and Hawthorne (in his preface to The Marble Faun, 1860): No author, without a trial, can conceive of the difficulty of writing a Romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily...
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