 No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight,...  The Working man - Сторінка 109Повний перегляд - Докладніше про цю книгу
 | Milton R. Stern - 1991 - 224 стор.
...insisted upon as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily... | |
 | Christopher Sten - 1991 - 372 стор.
...choice of Italy as the setting for his story, uses exactly Ruskin's language to show the impossibility of "writing a romance about a country where there...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad daylight, as is happily the case... | |
 | Luther S. Luedtke - 1992 - 588 стор.
...nationality, observed in his preface to The Marble Faun: "No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple day-light, as is happily... | |
 | Gary Richard Thompson - 1993 - 340 стор.
...Romance: Strategies of Narrative Intervention in the Historical Tales No author . . . can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as happily... | |
 | John L. Idol, Buford Jones - 1994 - 568 стор.
...clumsiest tricks. He forces his apologies to sound like boasting. 'No author,' he says, 'can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, as is happily' (it must and shall be happily)... | |
 | Stanley M. Elkins, Eric McKitrick - 1995 - 952 стор.
...was here elaborating on Hawthorne's own complaint that "no author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily... | |
 | Tony Tanner, Patricia Crick - 1984 - 212 стор.
...the lack of materials'. James quotes him to this effect: No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight as is happily... | |
 | George Steiner - 1996 - 388 стор.
...The latter had written, in preface to The Marble Faun: No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, not anything but a commonplace prosperity, in broad and simple daylight, as is happily... | |
 | John Bassett - 1997 - 442 стор.
...response to Go Down, Moses, received almost no negative comments in Britain. No author can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, as is happily the case with my dear native... | |
 | C. C. Barfoot - 1997 - 612 стор.
...chapter, Italy seems to lend itself to this kind of mystery: No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily... | |
| |
