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" No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight,... "
The Working man - Сторінка 111
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Obsolete Objects in the Literary Imagination: Ruins, Relics, Rarities ...

Francesco Orlando - 2008 - 500 стор.
...1 But in the preface to The Marble Faun, the Italian setting is justified as an alternative to the country "where there is no shadow, no antiquity, no mystery, no picturesque and gloomy evil."174 And the ambivalence of the images of Rome is tantamount to the contaminations...
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One True Theory and the Quest for an American Aesthetic

Martha Banta - 2007 - 306 стор.
...insisted upon, as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty of writing a Romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight, as is happily...
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The Gothic King - Stephen King und die Tradition der Schauerliteratur

Thorsten Wilms - 2007 - 92 стор.
...British Gothic. Nathaniel Hawthorne stellt dazu 1860 fest: „No author without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no mystery, no picturesque and gloomy wrong, nor anything but commonplace ? Lawrence (2003, http://xroads.virginia.edu/~HY...
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