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" No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight,... "
The Working man - Сторінка 111
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Americans in Florence: A Complete Guide to the City and the Places ...

Alta Macadam - 2003 - 189 стор.
...time he denatello, Count of Monte Beni after whom his novel The Marble Faun was named. In the Preface romance about a country where there is no shadow. no antiquity, no mystery, no picturesque and gloomy clared: "/ like my present residence immensely. The house stands on a hill, overlooking...
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Refiguring Huckleberry Finn

Carl F. Wieck - 2003 - 248 стор.
...had ironically bemoaned the situation in America where No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily...
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Refiguring Huckleberry Finn

Carl F. Wieck - 2003 - 248 стор.
...had ironically bemoaned the situation in America where No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily...
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The Portable Henry James

Henry James - 2004 - 617 стор.
...novels and to lay the scene of them in the western world. "No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily...
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Hawthorne and the Real: Bicentennial Essays

Millicent Bell - 2005 - 228 стор.
...where "actualities" were "so insisted upon." No author, without a trial," he writes, "can conceive of the difficulty of writing a Romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight, as is happily...
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Europa interdisziplinär: Probleme und Perspektiven heutiger Europastudien

Brigitte Glaser, Hermann Josef Schnackertz - 2005 - 228 стор.
...insisted upon, äs they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty of writing a Romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight, äs is...
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Canadians and Americans: Myths and Literary Traditions

Katherine L. Morrison - 328 стор.
...attitude toward the past, for in the preface to his last novel, The Marble Faun ( \ 860), he speaks of the "difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily...
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Reading the Text that Isn't There: Paranoia in the Nineteenth-century ...

Mike Lee Davis - 2005 - 185 стор.
...problem of Gables. In the preface to Faun, Hawthorne writes: No author, without a trial, can conceive ol the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily...
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Haunted Museum: Longing, Travel, and the Art-romance Tradition

Jonah Siegel - 2005 - 285 стор.
...insisted upon as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty of writing a Romance about a country...where there is no shadow, no antiquity, no mystery. 12 Not only is it the case that James criticizes Hawthorne for doing precisely what the earlier author...
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Student Companion to James Fenimore Cooper

Craig White - 2006 - 209 стор.
...the dramatist; no obscure fictions for the writer of romance" (Notions). Likewise Hawthorne bemoaned "the difficulty of writing a romance about a country...where there is no shadow, no antiquity, no mystery, . . . nor any thing but a commonplace prosperity, in broad and simple daylight" (Preface to Marble...
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