No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight,... The Working man - Сторінка 109Повний перегляд - Докладніше про цю книгу
| 1885 - 248 стор.
...actualities would not be so terribly insisted upon as they are, and must needs be in America. No author without a trial can conceive the difficulty of writing...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place property, in broad and simple daylight, as is happily... | |
| Flora McDonald Williams - 1886 - 300 стор.
...ideal Italy material for his crowning work of genius, that "no one, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow or mystery, no gloomy wrong or picturesque ruin," to inspire the ambitious pen of poet or novelist.... | |
| James Grant Wilson, John Fiske - 1887 - 834 стор.
...one of the most renowned. In the preface to the " Marble Faun " he said afterward that " no author without a trial can conceive the difficulty of writing...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity in broad anil simple daylight." But his... | |
| Julian Hawthorne - 1887 - 284 стор.
...insisted on as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily... | |
| John Charles Van Dyke - 1887 - 320 стор.
...Hawthorne. I quote from the preface to the Marble Faun: " No author without a trial can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity in broad and simple daylight, as is happily... | |
| Richard Holt Hutton - 1888 - 504 стор.
...reiterates as his excuse for laying the scene in Italy, that " no author without a trial can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity in broad and simple daylight, as is happily... | |
| 1888 - 552 стор.
...insisted upon as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily... | |
| Henry S. Salt - 1888 - 264 стор.
...they are, and needs must be, in America." " No author," he adds, " without a trial can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong." Yet surely this idea is confuted by Hawthorne's own best writings. Nothing could... | |
| Nathaniel Hawthorne - 1888 - 550 стор.
...insisted upon as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty of writing a romance about a country...shadow, no antiquity, no mystery » no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily... | |
| Henry Augustin Beers - 1891 - 296 стор.
...romance. In the preface to the Marble Faun Hawthorne wrote: "No author without a trial can conceive of the difficulty of writing a romance about a country...no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor any thing but a commonplace prosperity in broad and simple daylight." And yet... | |
| |