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" When it most closely allies itself to Beauty: the death, then, of a beautiful woman is unquestionably the most poetical topic in the world... "
Scribner's Magazine ... - Сторінка 71
1909
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Masterpieces of American Romantic Literature

Melissa McFarland Pennell - 2006 - 202 стор.
...commentary on the poem, he claimed that melancholy was the most appropriate tone for poetry and that the "death, then, of a beautiful woman is, unquestionably the most poetical topic in the world" (Essays and Reviews 19) because it provokes the deepest melancholy. In "The Raven," his grieving speaker...
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Philosophy, Crime, and Criminology

Bruce A. Arrigo, Christopher R. Williams - 2010 - 304 стор.
...and gender. For instance, Edgar Allen Poe writes in "The Philosophy of Composition," "the death ... of a beautiful woman is, unquestionably, the most poetical topic in the world" (1846) (found at http:// www. volny.cz/helpf orenglish/lit_poe_composition. html). References Anderson,...
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The Fall of the House of Poe: And Other Essays

Phillip L. Roderick - 2006 - 98 стор.
...Composition," Poe makes a bold yet much misunderstood statement when he asserts that "the death... of a beautiful woman is, unquestionably, the most poetical topic in the world" (Kot 388). Considering the gruesome and disturbing deaths Poe's female characters endure in his stories:...
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The Cambridge Introduction to the American Short Story

Martin Scofield - 2006
...deaths of beautiful women In his essay 'The Philosophy of Composition' Poe wrote that 'The death . . . of a beautiful woman is, unquestionably, the most poetical topic in the world';5 and it is the recurring topic of a set of stories - 'Morella', 'Berenice', 'Ligeia' and 'Eleonora'...
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Dances of the Self in Heinrich Von Kleist, E. T. A. Hoffman and Heinrich Heine

Lucia Ruprecht - 2006 - 158 стор.
...unrepresentability of death that asks for this substitution; as Edgar Allan Poe famously thought, 'the death [...] of a beautiful woman is, unquestionably, the most poetical topic in the world'.1'' Cross-references between the morbid, the erotic, the aesthetic, and the religious abound...
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Leaving Parnassus: The Lyric Subject in Verlaine and Rimbaud

Seth Adam Whidden - 2007 - 230 стор.
...explained at some length, the answer, here also, is obvious "When it most closely allies itself to Beauty: the death, then, of a beautiful woman is,...unquestionably, the most poetical topic in the world - and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover."23...
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The Unity Effect in Edgar Allan Poe's "The Fall of the House of Usher"

Xiumei Liu - 2007 - 64 стор.
...the gloomy, mysterious, and horrible effect in Usher. In his "Philosophy of Composition", Poe writes "the death, then, of a beautiful woman is unquestionably, the most poetical topic in the world"(1601), the beautiful woman in this case is Madeline Usher - there is no direct comment on physical...
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Art and the Idea of Death-in-life in E. A. Poe's "The Oval Portrait"

Michael Kratky - 2007 - 32 стор.
...mingling his with Beauty's breath"1 and expresses hereby what may be considered as his artistic credo: "the death, then, of a beautiful woman is, unquestionably, the most poetical topic of the world . . ."2 Indeed, Poe insistently figures the death of beauty and vice versa the beauty...
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Representations of Death in Nineteenth-century US Writing and Culture

Lucy Elizabeth Frank - 2007 - 234 стор.
...Era of High Capitalism. Trans. Harry Zohn (London: Verso, 1983). Blasco, Marita Nadal. '"The Death of a Beautiful Woman Is, Unquestionably, the Most Poetical Topic in the World": Poetic and Parodic Treatment of Women in Poe's Tales'. Gender, I-Deology: Essays on Theory, Fiction...
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Edgar Allen Poe - "The Philosophy of Composition"

Babette Lippmann - 2007 - 72 стор.
...make it most poetical death has to come together with "beauty". Thus it appears that "the death [...] of a beautiful woman is unquestionably the most poetical topic in the world."17 Combing all his thoughts named above Poe now creates the plot of his supreme poem: a story...
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