 | Charles Lamb, Sir Thomas Noon Talfourd - 1851 - 964 стор.
...— to overpower and reconcile the first and obvious prejudices.* What we see upon a stage is body and bodily action ; what we are conscious of in reading...affects us in the reading and the seeing. , It requires liule reflection to perceive, that if those characters in Shakspeare which are within the precincts... | |
 | Charles Lamb - 1856 - 440 стор.
...Desdemona's eyes; in the seeing of it, We are forced to look with our own. What we see upon a stage is body and bodily action; what we are conscious of in reading...seeing. It requires little reflection to perceive, tfcat if those characters in Shakspeare which are within the precincts of nature, have yet something... | |
 | 1864 - 520 стор.
...again, Lamb may be said to condense his argument into this shape : What we see upon a stage is body and bodily action ; what we are conscious of in reading...exclusively the mind, and its movements ; and this he thinks may sufficiently account for the very different sort of delight with which the same play... | |
 | william harrison ainsworth - 1864 - 516 стор.
...again, Lamb may be said to condense his argument into this shape : What we see upon a stage is body and bodily action ; what we are conscious of in reading...exclusively the mind, and its movements ; and this he thinks may sufficiently account for the very different sort of delight with which the same play... | |
 | William Shakespeare - 1886 - 494 стор.
...unseen, — to overpower and reconcile the first and obvious prejudices. What we see upon a stage is body and bodily action ; what we are conscious of in reading...so often affects us in the reading and the seeing. [Foot-note] : The error of supposing that because Othello's colour does not offend us in the reading,... | |
 | Charles Lamb - 1876 - 740 стор.
...of the play, we see with Desdemona's eyes ; in the seeing of it, we are forced to look with our own. and bodily action ; what we are conscious of in reading...reflection to perceive, that if those characters in Shakspere which are within the precincts of nature, have yet something in them which appeals too exclusively... | |
 | Charles Lamb - 1879 - 672 стор.
...— to overpower and reconcile the first and obvious prejudices.1 What we see upon a stage is body and bodily action ; what we are conscious of in reading...reflection to perceive that if those characters in Shakespeare which are within the precincts of nature have yet something in them which appeals too exclusively... | |
 | James Panton Ham - 1880 - 64 стор.
...the place of the acted Drama. Charles Lamb, for instance, says, " What we see upon a Stage is body and bodily action; what we are conscious of in reading...so often affects us in the reading and the seeing." Surely this criticism is but a partial and a very imperfect statement of the fact of what we see in... | |
 | Charles Lamb - 1881 - 892 стор.
...— to overpower and reconcile the first and obvious prejudices.* What we see upon a stage is body and bodily action ; what we are conscious of in reading...the very different sort of delight with which the samo play so often affects us in the reading and the seeing. It requires little reflection to perceive,... | |
 | Charles Lamb - 1884 - 830 стор.
...clothes in the picture. The painters themselves feel this, as is apparent by the see upon a stage is body and bodily action ; what we are conscious of in reading...reflection to perceive, that if those characters in Shakspere which are within the precincts of nature, have yet something in them which appeals too exclusively... | |
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What we see upon a stage is body and bodily action ; what we are conscious of in reading is almost exclusively the mind and its movements : and this, I think, may sufficiently account for the very different sort of delight with which the same play so... 
