The Works of Charles Lamb: In Two Parts, Том 2 |
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Результати 6-10 із 54
Сторінка 9
But for the character itself , we find it in a play , and therefore we judge it a fit
subject of dramatic representation . The play itself abounds in maxims and
reflexions beyond any other , and therefore we consider it as a proper vehicle for
...
But for the character itself , we find it in a play , and therefore we judge it a fit
subject of dramatic representation . The play itself abounds in maxims and
reflexions beyond any other , and therefore we consider it as a proper vehicle for
...
Сторінка 11
I see no reason to think that if the play of Hamlet were written over again by some
such writer as Banks or Lillo , retaining the process of the story , but totally
omitting all the poetry of it , all the divine features of Shakspeare , his stupendous
...
I see no reason to think that if the play of Hamlet were written over again by some
such writer as Banks or Lillo , retaining the process of the story , but totally
omitting all the poetry of it , all the divine features of Shakspeare , his stupendous
...
Сторінка 12
... so contagious the counterfeit appearance of any emotion is , that let the words
be what they will , the look and tone shall carry it off and make it pass for deep
skill in the passions . It is common for people to talk of Shakspeare's plays being
so ...
... so contagious the counterfeit appearance of any emotion is , that let the words
be what they will , the look and tone shall carry it off and make it pass for deep
skill in the passions . It is common for people to talk of Shakspeare's plays being
so ...
Сторінка 16
Yet such is the actor's necessity of giving strong blows to the audience , that I
have never seen a player in this character , who did not exaggerate and strain to
the utmost these ambiguous features , —these temporary deformities in the ...
Yet such is the actor's necessity of giving strong blows to the audience , that I
have never seen a player in this character , who did not exaggerate and strain to
the utmost these ambiguous features , —these temporary deformities in the ...
Сторінка 18
I mean no disrespect to any actor , but the sort of pleasure which Shakspeare's
plays give in the acting seems to me not at all to differ from that which the
audience receive from those of other writers ; and , they being in themselves
essentially ...
I mean no disrespect to any actor , but the sort of pleasure which Shakspeare's
plays give in the acting seems to me not at all to differ from that which the
audience receive from those of other writers ; and , they being in themselves
essentially ...
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acting admirable affect appears beauty believe Belvil body brought character cloth comes common criticism death delight Edition English Enter Essays excellent express face feeling figure Footman genius give Hamlet hand head heart Hogarth honour hope human images imagination interest judge kind knowledge known Lady Landlord late least leave less letters living look Lord manner master mean Melesinda mind moral nature never object observation once original pass passion performed person picture play pleasure poet poor present published reader reason respect scene Second seems sense serve Shakspeare shew sort soul speak spirit stage Street strong suffer sweet tell thing thought tion true truth turn volume Waiter whole wonder