The Artistry of Shakespeare's ProseRoutledge, 13 вер. 2013 р. - 464 стор. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... described as that of mood. The dramatic effect of the murderer's conversation has been well described by Mr Crane: 'This discussion, which affords so odd a digression at a moment when violent action is expected, accomplishes two ends ...
... described as that of mood. The dramatic effect of the murderer's conversation has been well described by Mr Crane: 'This discussion, which affords so odd a digression at a moment when violent action is expected, accomplishes two ends ...
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... described as Euphuism, and it has also been recognized that Shakespeare probably learned from Lyly's adaptation of the brilliant rhetoric of Euphues to the more naturalistically structured conversation of his plays (however, I would like.
... described as Euphuism, and it has also been recognized that Shakespeare probably learned from Lyly's adaptation of the brilliant rhetoric of Euphues to the more naturalistically structured conversation of his plays (however, I would like.
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Досягнуто ліміту перегляду цієї книги.
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Досягнуто ліміту перегляду цієї книги.
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Зміст
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Загальні терміни та фрази
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty