"SWAN WITH TWO NECKS,"

Lad-lane.

The sign of the "Swan with two necks," at one of our old city inns, from whence there are "passengers and parcels booked" to all parts of the kingdom, is manifestly a corruption. As every swan belonging to the king was marked, according to the swan laws, with two nicks or notches; so the old sign of this inn was the royal bird so marked, that is to say, "the swan with two nicks." In process of time the "two nicks" were called "two necks;" an ignorant landlord hoisted the foul misrepresentation; and, at the present day, "the swan with two nicks" is commonly called or known by "the name or sign" of "the swan with two necks."

"A Southern Tourist," in the "Gentleman's Magazine," for 1793, giving an account of his summer rambles, which he calls "A naturalist's stray in the sultry days of July," relates that he " put up for the night at the Bush-inn, by Stainesbridge," and describes his sojournment there with such mention of the swans as seems fitting to extract.

"The Swan at Staines."

"This inn is beautifully situated: a translucent arm of the Thames runs close under the windows of the eating-rooms, laving the drooping streamers of the Babylonian willows that decorate the garden, and which half conceal the small bridge leading into it. In these windows we spent the evening in angling gudgeons for our supper, and in admiring a company of swans that were preening themselves near an aite in the river. The number of these birds on the Thames is very considerable, all swimming between Marlow and London, being protected by the dyers and vintner's companies, whose properties they are. These companies annually send to Marlow six wherries, manned by persons authorized to count and to mark the swans, who are hence denominated swan-hoppers. The task assigned them is rather difficult to perform; for, the swans being exceeding strong, scuffling with them amongst the tangles of the river is rather dangerous, and recourse is obliged to be had to certain strong crooks, shaped like those we suppose the Arcadian shepherds to have used"

THE SWAN'S DEATH SONG.

The car of Juno is fabled to have been drawn by swans. They were dedicated to Venus and Apollo. To the latter, according to Banier, because they were "reckoned to have by instinct a faculty of prediction;" but it is possible that they were consecrated to the deity of music, from their fabled melody at the moment of death.

Buffon says, the ordinary voice of the tame swan is rather low than canorous. It is a sort of creaking, exactly like what is vulgarly called the swearing of a cat, and which the ancients denoted by the imitative word drensare. It would seem to be an accent of menace or anger; nor does its love appear to have a softer. In the

Buffon, note. + Cowel.

Gentleman's Magazine.
Brand.

"Mémoires de l'Académie des Inscriptions" is a dissertation by M. Morin, entitled, "Why swans, which sung so well formerly, sing so ill now."

The French naturalist further remarks, that "swans, almost mute, like ours in the domestic state, could not be those melodious birds which the ancients have celebrated and extolled. But the wild swan appears to have better preserved its prerogatives; and with the sentiment of entire liberty, it has also the tones. The bursts of its voice form a sort of modulated song." He then cites the observations of the abbé Arnaud on the song of two wild swans which settled on the magnificent pools of Chantilly. "One can hardly say that the swans of Chantilly sing, they cry; but their cries are truly and constantly modulated; their voice is not sweet; on the contrary, it is shrill, piercing, and rather disagreeable; I could compare it to nothing better than the sound of a clarionet, winded by a person unacquainted with the instrument. Almost all the melodious birds answer to the song of man, and especially to the sound of instruments: I played long on the violin beside our swans, on all the tones and chords. I even struck unison to their own accents, without their seeming to pay the smallest attention: but if a goose be thrown into the basin where they swim with their young, the male, after emitting some hollow sounds, rushes impetuously upon the goose, and seizing it by the neck, plunges the head repeatedly under water, striking it at the same time with his wings; it would be all over with the goose, if it were not rescued. The swan, with his wings expanded, his neck stretched, and his head erect, comes to place himself opposite to his female, and utters a cry, to which the female replies by another, which is lower by half a tone. The voice of the male passes from A (la) to B flat (si bémol); that of the female, from G sharp (sol dièse) to A. The first note is short and transient, and has the effect of that which our musicians call sensible; so that it is not detached from the second, but seems to slip into it. Fortunately for the ear, they do not both sing at once; in fact, if while the male sounded B flat, the female struck A, or if the male uttered A, while the female gave G sharp, there would result the harshest and most insupportable of discords. We may add, that this dialogue is subjected to a constant and

regular rhythm, with the measure of two times."

M. Grouvelle observes, that "there is a season when the swans assemble together, and form a sort of commonwealth; it is during severe colds. When the frost threatens to usurp their domain, they congregate and dash the water with all the extent of their wings, making a noise which is heard very far, and which, whether in the night or the day, is louder in proportion as it freezes more intensely. Their efforts are so effectual, that there are few instances of a flock of swans having quitted the water in the longest frosts, though a single swan, which has strayed from the general body, has sometimes been arrested by the ice in the middle of

the canals."

Buffon further remarks, that the shrill and scarcely diversified notes of the loud clarion sounds, differ widely from the tender melody, the sweet and brilliant variety of our chanting birds. Yet it was not enough that the swan sung admirably, the ancients ascribed to it a prophetic spirit. It alone, of animated beings, which all shudder at the prospect of destruction, chanted in the moment of its agony, and with harmonious sounds prepared to breathe the last sigh. They said that when about to expire, and to bid a sad and tender adieu to life, the swan poured forth sweet and affecting accents, which, like a gentle and doleful murmur, with a voice low, plaintive, and melancholy, formed its funeral song. This tearful music was heard at the dawn of day, when the winds and the waves were still: and they have been seen expiring with the notes of their dying hymn. No fiction of natural history, no fable of antiquity, was ever more celebrated, oftener repeated, or better received. It occupied the soft and lively imaginations of the Greeks: poets, orators, even philosophers adopted it as a truth too pleasing to be doubted. And well may we excuse such fables; they were amiable and affecting; they were worth many dull, insipid truths; they were sweet emblems to feeling minds. The swan, doubtless, chants not its approaching end; but, in speaking of the last flight, the expiring effort of a fine genius, we shall ever, with tender melancholy, recal the classical and pathetic expression, "It is the song of the swan !”

NATURALISTS' CALENDAR. Mean Temperature... 64. 02.

July 13.

THE CORNISH FALSTAFF.

For the Every-Day Book. Anthony Payne, the Falstaff of the sixteenth century, was born in the manorhouse at Stratton, in Cornwall, where he died, and was buried in the north aisle of Stratton church, the 13th of July, 1691. In early life he was the humble, but favourite attendant of John, eldest son of sir Beville Granville, afterwards earl of Bath, whom he accompanied throughout many of his loyal adventures and campaigns during the revolution and usurpation of Cromwell. At the age of twenty he measured the extraordinary height of seven feet two inches, with limbs and body in proportion, and strength equal

to his bulk and stature. The firmness of his mind, and his uncommon activity of person, together with a large fund of sarcastic pleasantry, were well calculated to cheer the spirits of his noble patron during the many sad reverses and trying occasions which he experienced after the restoration. His lordship introduced Payne to Charles the Second; "the merry monarch" appointed him one of the yeomen of his guard. This office he held during his majesty's life; and when his lordship was made governor of the citadel of Plymouth, Payne was placed therein as a gunner. His picture used to stand in the great hall at Stowe, in the county of Cornwall, and is now removed to Penheale, another seat of the Granville family. his death the floor of the apartment was taken up in order to remove his enormous remains. As a Cornishman, in point of size, weight, and strength he has never been equalled.

At

The nearest to Anthony Payne was Charles Chillcott, of Tintagel, who measured six feet four inches high, round the breast six feet nine inches, and weighed four hundred and sixty pounds. He was almost constantly occupied in smokingthree pounds of tobacco was his weekly allowance; his pipe two inches long. One of his stockings would contain six gallons of wheat. He was much pleased with the curiosity of strangers who came to see him, and his usual address to them was,

"Come under my arm, little fellow." He died 5th of April, 1815, in his sixtieth year.

Ancient Cornish names of the Months.

JANUARY was called Mis (a corruption of the Latin word mensis, a month) Genver, (an ancient corruption of its common name, January,) or the cold air month. FEBRUARY, Hu-evral, or the whirling month.

MARCH, Mis Merh, or the horse month; also, Meurz, or Merk, a corruption of March.

APRIL, Mis Ebrall, or the primrose month; Abrilly, or the mackerel month also Epiell, a corruption of its Latin appellative, Aprilis.

MAY, Miz Me, or the flowery month; Me, being obviously a corruption of May, or Maius, the original Latin name.

JUNE, Miz Epham, the summer month,

or head of summer.

See vol. i. col. 935

sented the three orders of the state-the nobles, the clergy, and the tiers-état-in their relative situations before the revolution. In the middle is a peasant, with the implements of his profession about him, the scythe, the reaping-hook, the pioche, which is a sort of pick-axe used in Provence to turn up the ground in steep parts where a plough cannot be used, a spade, a vessel for wine, &c. On his shoulders he supports a heavy burden, intended to represent the state itself; while on one side of him is a noble, and on the other an ecclesiastic, in the costume of their respective orders, who just touch the burden with one hand, while he supports it with his whole strength, and is bowed down by it. The intention of the allegory is to show, that it is on the peasantry, or tiers-état, that the great burden of the state presses, while the nobles and clergy are scarcely touched by it. Above the burden, which is in the form of a heart, is the motto, nihil aliud in nobis, "There is nothing else in our power." From the costume of the figures, which is that of the sixteenth century, it is conjectured that the picture was of that date; but no tradition is preserved of the time when, or the person by whom it was executed.

This remarkable painting hung in the guard-room, on one side of the door of the room where the consuls of Aix held their meetings for the settling the impositions of the rates and taxes; a room which was consequently in theory the sanctuary of equity, the place where to each member of the community was allotted the respective proportion which in justice was demanded of him for supporting the general good of the whole. "This," says Miss Plumptre, was a very fine piece of satire, and it is only surprising that it should have been suffered to hang there: it probably had occupied the place so long, that it had ceased from time immemorial to excite attention; but it shows that even two centuries before the revolution there were those who entertained the opinions which led finally to this tremendous explosion, and that these opinions did not then first start into existence."

ORIGIN OF THE JACOBIN CLUB. The Brétons were even from the commencement of the revolution among the most eager in the popular cause, and the original republican party arose among them. Bailly, the first president of the

national constituent assembly, and afterwards the celebrated mayor of Paris, mentions, in a posthumous work, that an association was formed at Versailles as early as in June, 1789, even before the taking of the Bastille, of the deputies of Bretagne to the tiers-état, which was known by the name of the comité Bréton; and he goes on to say :-" This may be called the original of the society afterwards so celebrated as the Jacobin Club, and was disapproved by all who did not belong to it. The Biétons were certainly excellent patriots, but ardent, vehement, and not much given to reflection; nor have I any doubt but that the first idea of establishing a republic was engendered by the overstrained notions of liberty cherished in this club. To them, consequently, must be imputed the origin of those fatal divisions which afterwards arose between the adherents of a limited monarchy, and those who would not be satisfied with any thing short of a republic;-divisions which occasioned so many and so great misfortunes to the whole country."

This province was, in the sequel, reputed to be one of the parts of France the most attached to the Bourbon interest, because the arbitrary proceedings of the convention had afforded a handle for another set of anarchists to rise in opposition to them. In this conflict it would be difficult to determine on which side the greatest want of conduct was shown, which party was guilty of the greatest errors.

SUPERSTITIONS OF BRITTANY.

Like the people of Wales, who boast that their ancestors were never conquered by the Saxons, the Brétons affirm that their country alone, of all the provinces of Gaul, was never bowed to the Frankish yoke; and that they are the true descendants of the ancient Armoricans, its first known inhabitants. They allow the Welsh to be of the same stock as themselves, and are proud of affinity with a people who, like themselves, firmly and effectually resisted a foreign yoke; but they claim precedence in point of an. tiquity, and consider themselves as the parent stock from which Britain was afterwards peopled. Indeed from the great resemblance between the Brétons and the Welsh, a strong argument may be drawn to conclude that they had a