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kind, it arises from an affectation of magnanimity and candour in giving heaped measure to those on the aristocratic side in politics, and in being critically severe on
severe on others. Thus Sir Walter Scott is lauded to the skies for his romantic powers, without any allusion to his political demerits (as if this would be compromising the dignity of genius and of criticism by the introduction of party-spirit)—while Lord Byron is called to a grave moral reckoning. There is, however, little of the cant of morality in the Edinburgh Review—and it is quite free from that of religion. It keeps to its province, which is that of criticism-or to the discussion of debateable topics, and acquits itself in both with force and spirit. This is the natural consequence of the composition of the two Reviews. The one appeals with confidence to its own intellectual resources, to the variety of its topics, to its very character and existence as a literary journal, which depend on its setting up no pretensions but those which it can make good by the talent and ingenuity it can bring to bear upon them-it therefore meets every question, whether of a lighter or a graver cast, on its own grounds; the other blinks every question, for it has no confidence but in the powers that be---shuts itself up in the impreg
nable fastnesses of authority, or makes some paltry, cowardly attack (under cover of anonynous criticism) on individuals, or dispenses its award of merit entirely according to the rank or party of the writer. The faults of the Edinburgh Review arise out of the very consciousness of critical and logical power. In political questions it relies too little on the broad basis of liberty and humanity, enters too much into mere dry formalities, deals too often in mootpoints, and descends too readily to a sort of special-pleading in defence of home truths and natural feelings : in matters of taste and criticism, its tone is sometimes apt to be supercilious and cavalier from its habitual faculty of analysing defects and beauties according to given principles, from its quickness in deciding, from its facility in illustrating its views. In this latter department it has been guilty of some capital oversights. The chief was in its treatment of the Lyrical Ballads at their first appearance-not in its ridicule of their puerilities, but in its denial of their beauties, because they were included in no school, because they were reducible to no previous standard or theory of poetical excellence. For this, however, considerable reparation has been made by the prompt and liberal spirit that has been
shewn in bringing forward other examples of poetical genius. Its capital sin, in a doctrinal point of view, has been (we shrewdly suspect) in the uniform and unqualified encouragement it has bestowed on Mr. Malthus's system. We do not mean that the Edinburgh Review was to join in the general hue and cry that was raised against this writer; but while it asserted the soundness of many of his arguments, and yielded its assent to the truths he has divulged, it need not have screened his errors. On this subject alone we think the Quarterly has the advantage of it. But as the Quarterly Review is a mere mass and tissue of prejudices on all subjects, it is the foible of the Edinburgh Review to affect a somewhat fastidious air of superiority over prejudices of all kinds, and a determination not to indulge in any of the amiable weaknesses of our nature, except as it can give a reason for the faith that is in it. Luckily, it is seldom reduced to this alternative: “reasons” are with it “as plenty as blackberries !"
Mr. Jeffrey is the Editor of the Edinburgh Review, and is understood to have contributed nearly a fourth part of the articles from its commencement. No man is better qualified for this situation ; nor indeed so much so. He is certainly a person in advance of the age, and yet perfectly fitted both from knowledge and habits of mind to put a curb upon its rash and headlong spirit. He is thoroughly acquainted with the progress and pretensions of modern literature and philosophy; and to this he adds the natural acuteness and discrimination of the logician with the habitual caution and coolness of his profession. If the Edinburgh Review may be considered as the organ of or at all pledged to a party, that party is at least a respectable one, and is placed in the middle between two extremes. The Editor is bound to lend a patient hearing to the most paradoxical opinions and extravagant theories wbich have resulted in our times from the infinite agitation of wit,” but he is disposed to qualify them by a number of practical objections, of speculative doubts, of checks and drawbacks, arising out of actual circumstances and prevailing opinions, or the frailties of human nature. He has a great range of knowledge, an incessant activity of mind; but the suspension of his judgment, the well-balanced moderation of his sentiments, is the consequence of the very discursiveness of his reason. What may be considered as a commonplace conclusion is often the result of a comprehensive view of all the circumstances of a case. Paradox, violence, nay even originality of conception is not seldom owing to our dwelling long and pertinaciously on some one part of a subject, instead of attending to the whole. Mr. Jeffrey is neither a bigot nor an enthusiast. He is not the dupe of the prejudices of others, nor of his own. He is not wedded to any dogma, he is not long the sport of any whim; before he can settle in any fond or fantastic opinion, another starts up to match it, like beads on sparkling wine. A too restless display of talent, a too undisguised statement of all that can be said for and against a question, is perhaps the great fault that is to be attributed to him. Where there is so much power and prejudice to contend with in the opposite scale, it may be thought that the balance of truth can hardly be held with a slack or an even hand; and that the infusion of a little more visionary speculation, of a little more popular indignation into the great Whig Review would be an advantage both to itself and to the cause of freedom. Much of this effect is chargeable less on an Epicurean levity of feeling or on party-trammels, than on real sanguineness of disposition, and a certain fineness of professional tact. Our sprightly