Char. Madam, I trust, not so. Cleo. Thou, eunuch, Mardian— What's your highness' pleasure? May not fly forth of Egypt. Hast thou affections? Cleo. Indeed ? Mar. Not in deed, madam; for I can do nothing, But what in deed is honest to be done; Yet have I fierce affections, and think Cleo. Oh, Charmian! Where think'st thou he is now? Stands he, or sits he? Or does he walk? or is he on his horse? Oh happy horse, to bear the weight of Antony! Do bravely, horse, for wot'st thou whom thou mov'st? And burgonet of men'.-He's speaking now, Or murmuring, “Where's my serpent of old Nile?" With most delicious poison :-think on me, With looking on his life. Alex. Enter ALEXAS. Sovereign of Egypt, hail! Cleo. How much unlike art thou Mark Antony; Yet, coming from him, that great medicine hath With his tinct gilded thee. How goes it with my brave Mark Antony? 1 And BURGONET of men.] A "burgonet" was a kind of helmet: by "arm" in the preceding line is probably to be understood weapon. 2 BROAD-FRONTED Cæsar,] The allusion here is not to the "bald head" of Julius Cæsar, as all editors have imagined, and one after another repeated, but to the grand breadth of the forehead of Caesar, as represented in his busts. He kiss'd, the last of many doubled kisses,- Alex. Good friend, quoth he, Say, "the firm Roman to great Egypt sends Her opulent throne with kingdoms: all the east," Who neigh'd so high, that what I would have spoke Cleo. What! was he sad, or merry? Alex. Like to the time o' the year between the extremes Of hot and cold: he was nor sad, nor merry. Cleo. Oh well-divided disposition !-Note him, Note him, good Charmian, 'tis the man; but note him: Cleo. Who's born that day, When I forget to send to Antony, Shall die a beggar.-Ink and paper, Charmian.— 3 And soberly did mount an arm-GIRT steed,] "Arm-gaunt" is the epithet applied to Antony's steed in the old copies; but it is amended to "arm-girt" in the corr. fo. 1632, which accords with Sir T. Hanmer's suggestion: "arm-girt' is, of course, girded with armour. The change proposed in the next line but one, viz. boastfully for "beastly," is not to be admitted so readily, inasmuch as "beastly" is perfectly intelligible, although boastfully (which may easily be pronounced in the time of a dissyllable) seems to afford a much superior sense in reference to the "high and boastful neighs " of a war-horse. Still we make no alteration, though we do not for a moment admit the applicability of the Rev. Mr. Dyce's quotations, merely because they happen to contain the word " 'beastly." He generally appears to fancy that a passage must be apposite, if he can but find in it the word in dispute, however differently employed. Dumb'd" is printed dumbe in the folios, but Theobald properly amended it to "dumb'd," and in "Pericles," A. v. to dumb, is used by Gower as a verb. * So does it no MAN else.] The folio, 1623, "no man's else:" corrected in the folio, 1632. "So" is here used as in a previous passage (p. 145) for as—“ So Antony loves." Welcome, my good Alexas.-Did I, Charmian, Ever love Cæsar so? Char. Oh, that brave Cæsar! Cleo. Be chok'd with such another emphasis ! Say, the brave Antony. Char. The valiant Cæsar! Cleo. By Isis, I will give thee bloody teeth, If thou with Cæsar paragon again When I was green in judgment:-cold in blood, To say as I said then!-But come, away; Get me ink and paper: He shall have every day a several greeting, [Exeunt. ACT II. SCENE I. Messina. A Room in POMPEY'S House. Enter POMPEY, MENECRATES, and MENAS. Pom. If the great gods be just, they shall assist The deeds of justest men. Mene. Know, worthy Pompey, That what they do delay, they not deny. Pom. Whiles we are suitors to their throne, decays The thing we sue for. Mene. We, ignorant of ourselves, Beg often our own harms, which the wise powers Deny us for our good; so find we profit By losing of our prayers. Pom. I shall do well: 5 cold in blood,] Boswell would make these words apply to Cleopatra, as if she had been "cold in blood" when she was young, and was hot in blood now she had grown older: "cold in blood" is clearly addressed to Charmian, by way of reproof, and so Warburton considered, varying judiciously from the old punctuation, which affords, not only a tame and spiritless, but an inconsistent meaning. The people love me, and the sea is mine; My powers are crescent, and my auguring hope No wars without doors: Cæsar gets money, where Of both is flatter'd; but he neither loves, Nor either cares for him. Men. Cæsar and Lepidus Are in the field: a mighty strength they carry. Men. From Silvius, sir. Pom. He dreams: I know, they are in Rome together, Let witchcraft join with beauty, lust with both: That sleep and feeding may prorogue his honour, Enter VARRIUS. Var. This is most certain that I shall deliver. Expected; since he went from Egypt, 'tis Pom. My powers ARE crescent,] I could have given less matter Every old copy has "are crescent," which modern editors arbitrarily and injudiciously change to "a crescent:" thus we say, the moon is crescent, and will come to the full. 7 Salt Cleopatra, soften thy WAN'D lip!] The corr. fo. 1632 has warm for "wan'd" of the folio, 1623, which ought probably to be taken as waned, i. e. a lip that is in the wane. Warm is unquestionably to be rejected; and the next line but one the same authority alters thus : "LAY up the libertine in a FLOOD of feasts;" but we do not feel warranted in deserting the old editions, although it is true that in "Othello," A. i. sc. 1, we have seen 'Laying" misprinted Tying, as here 'Lay" may have been misprinted Tie. As to " field of feasts,' we hardly know what is to be understood by the expression, but "flood of feasts" seems almost equally objectionable, though intelligible: however, if any part of this play, as published, were derived from short-hand notes, "field" and flood would be spelt with the same letters, and hence possibly the confusion. On the whole, we think it safest to leave the text as it has stood since the appearance of the first folio, excepting that, with Malone, we change wand to "wan'd." A better ear.-Menas, I did not think, This amorous surfeiter would have don'd his helm Is twice the other twain. But let us rear Men. I cannot hope, Pom. I know not, Menas, How lesser enmities may give way to greater. Were't not that we stand up against them all, 'Twere pregnant they should square' between themselves; For they have entertained cause enough To draw their swords: but how the fear of us Be it as our gods will have't! It only stands [Exeunt. SCENE II. Rome. A Room in the House of LEPIDUS. Enter ENOBARBUS and LEPIDUS. Lep. Good Enobarbus, 'tis a worthy deed, And shall become you well, to entreat your captain To soft and gentle speech. 8 His brother WARR'D upon him,] Misprinted "wan'd upon him" in the folio, 1623; but "warr'd upon him" in the folio, 1632. 9 - they should sQUARE] i. e. Quarrel: see Midsummer-Night's Dream," A. ii. sc. 1, Vol. ii. p. 199. In one of the Earl of Leicester's Letters, Harl. MS. No. 285, fo. 66, we read, "How thinges haue bredde this lytle square between these two so well affected princes, I cannott tell." Our lives upon,] Meaning, "it concerns our lives." In "Richard II." (Vol. iii. p. 259), the expression, "It stands your grace upon," means it depends upon your grace; and elsewhere the same idiom occurs with the same import. |