Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 75Gale Research Company, 1984 - 409 стор. |
З цієї книги
Результати 1-3 із 67
Сторінка 205
... response to the island's sound . He tells Stephano and Trinculo : Be not afeard ; the isle is full of noises , Sounds and sweet airs , that give delight , and hurt not . Sometimes a thousand twangling instruments Will hum about mine ...
... response to the island's sound . He tells Stephano and Trinculo : Be not afeard ; the isle is full of noises , Sounds and sweet airs , that give delight , and hurt not . Sometimes a thousand twangling instruments Will hum about mine ...
Сторінка 228
... response to Ophelia's singing , which is perceived by the other 9937 characters as dangerous , not only because of the uncontrollable meanings it may suggest to others , but also because of the unruly emotions it provokes in them ...
... response to Ophelia's singing , which is perceived by the other 9937 characters as dangerous , not only because of the uncontrollable meanings it may suggest to others , but also because of the unruly emotions it provokes in them ...
Сторінка 269
... response to Lorenzo's speech and the music of Portia's musicians in act 5 raises questions crucial to the resolution of the drama . Does Jessica's response confirm that a Jewish soul is " not unhappily born ? " Or is Jessica's failure ...
... response to Lorenzo's speech and the music of Portia's musicians in act 5 raises questions crucial to the resolution of the drama . Does Jessica's response confirm that a Jewish soul is " not unhappily born ? " Or is Jessica's failure ...
Зміст
Cumulative Character Index | 351 |
Cumulative Topic Index | 363 |
Cumulative Topic Index by Play | 387 |
Авторські права | |
1 інших розділів не відображаються
Інші видання - Показати все
Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Перегляд фрагмента - 1984 |
Загальні терміни та фрази
action All's appears audience beauty becomes begins Bertram body bring called character comedy contrast Coriolanus Countess court critics dark death desire early effect Elizabethan England English essay example expression eyes fact feelings figure final force gives harmony hear heart Helena human important Italy James Jessica kind King King's Lady language lines live London Lord Lorenzo means Measure mother nature never once opening Parolles performance person play play's plot poems poet poetic poetry political praise present Press problem Prospero provides question reading reference Renaissance represent response Richard says scene seems sense Shake Shakespeare sing social song sonnets sound speak speaker speech stage structure Studies suggests sweet Tempest theme thing thou thought tion traditional true truth turn University voice York young