Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 75Gale Research Company, 1984 - 409 стор. |
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Сторінка 141
... represent theoretical or speculative music , while the third represents practi- cal music - which may induce personal and social harmony , but which is also capable of corrupting hu- man nature . Indeed , Puritan writers of the late ...
... represent theoretical or speculative music , while the third represents practi- cal music - which may induce personal and social harmony , but which is also capable of corrupting hu- man nature . Indeed , Puritan writers of the late ...
Сторінка 326
... represent one of the very few allusions to lesbianism in Tudor culture , it suggests that the women are outsiders in two senses : they are estranged both from conventional morality and from the heterosexual amorality of their own social ...
... represent one of the very few allusions to lesbianism in Tudor culture , it suggests that the women are outsiders in two senses : they are estranged both from conventional morality and from the heterosexual amorality of their own social ...
Сторінка 331
... represent an essential but not exclusive perspective . First of all , the assumption that sexuality is invariably the subtext of robbery would demonstrate the less benign effects of twentieth - century popular Freudianism . Not only is ...
... represent an essential but not exclusive perspective . First of all , the assumption that sexuality is invariably the subtext of robbery would demonstrate the less benign effects of twentieth - century popular Freudianism . Not only is ...
Зміст
Cumulative Character Index | 351 |
Cumulative Topic Index | 363 |
Cumulative Topic Index by Play | 387 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Перегляд фрагмента - 1984 |
Загальні терміни та фрази
action All's appears audience beauty becomes begins Bertram body bring called character comedy contrast Coriolanus Countess court critics dark death desire early effect Elizabethan England English essay example expression eyes fact feelings figure final force gives harmony hear heart Helena human important Italy James Jessica kind King King's Lady language lines live London Lord Lorenzo means Measure mother nature never once opening Parolles performance person play play's plot poems poet poetic poetry political praise present Press problem Prospero provides question reading reference Renaissance represent response Richard says scene seems sense Shake Shakespeare sing social song sonnets sound speak speaker speech stage structure Studies suggests sweet Tempest theme thing thou thought tion traditional true truth turn University voice York young