Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 75Gale Research Company, 1984 - 409 стор. |
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Сторінка 191
... Tempest is its music . Pervading and informing the action of the play , music is always sounding , always affecting and shaping the lives of the characters . Often directionless and ambiguous in its meaning , the music of The Tempest ...
... Tempest is its music . Pervading and informing the action of the play , music is always sounding , always affecting and shaping the lives of the characters . Often directionless and ambiguous in its meaning , the music of The Tempest ...
Сторінка 193
... Tempest is largely coextensive with its music . For music informs the play not only as an agent of the " proper moment " ; it also directs and integrates all of the play's moments into the total vision that is the play . The Tempest ...
... Tempest is largely coextensive with its music . For music informs the play not only as an agent of the " proper moment " ; it also directs and integrates all of the play's moments into the total vision that is the play . The Tempest ...
Сторінка 239
... Tempest is clearly the best case in point . G. Wilson Knight found in the play the key polarities around which he organized his long - influential book , The Shakespearean Tempest ( 1932 ) . In all of Shake- speare's plays , he argues ...
... Tempest is clearly the best case in point . G. Wilson Knight found in the play the key polarities around which he organized his long - influential book , The Shakespearean Tempest ( 1932 ) . In all of Shake- speare's plays , he argues ...
Зміст
Cumulative Character Index | 351 |
Cumulative Topic Index | 363 |
Cumulative Topic Index by Play | 387 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Перегляд фрагмента - 1984 |
Загальні терміни та фрази
action All's appears audience beauty becomes begins Bertram body bring called character comedy contrast Coriolanus Countess court critics dark death desire early effect Elizabethan England English essay example expression eyes fact feelings figure final force gives harmony hear heart Helena human important Italy James Jessica kind King King's Lady language lines live London Lord Lorenzo means Measure mother nature never once opening Parolles performance person play play's plot poems poet poetic poetry political praise present Press problem Prospero provides question reading reference Renaissance represent response Richard says scene seems sense Shake Shakespeare sing social song sonnets sound speak speaker speech stage structure Studies suggests sweet Tempest theme thing thou thought tion traditional true truth turn University voice York young