Enter Taylers. O. Tay. Now for the credit of taylers. With any players in the globe of the world, O. Tay. Well, I must to the king; see you be perfect, I'le move it to his highnesse. [Exit. 1st Tay. Now, my masters, are we to doe; d'e marke me, doe 3d Tay. Doe; what doe? Act, act, you foole you do, said you, what doe? you a player, you a plasterer, a meere durt dawber; and not worthy to bee mentioned with Virmine, that exact actor: doe, I am asham'd on't, fie. 2d Tay. Well said, Virmine, thou ticklest him y' faith. 4th Tay. Doe, pha. 1st Tay. Well play; we are to play a play. 3d Tay. Play a play a play, ha, ha, ha! O egredious nonsensensicall wigeon, thou shame to our crosse-legg'd corporation; thou fellow of a sound, play a play; why forty pound golding of the beggers theater speakes better, yet has a marke for the sage audience to exercise their dexterity, in throwing of rotten apples whilst my stout actor pockets, and then eates up the injury play a play; it makes my worship laugh y faith. 2d Tay. To him Virmine, thou bitst him yfaith. 1st Tay. Well, act a play before the king. 2d Tay. What play shall we act? 3d Tay. To fret the French the more, we will act Strange but True, or the Stradling Mounsieur, with the Neopolitan gentleman between his legges. 2d Tay. That wo' not act well. 3d Tay. O giant of incomperable ignorance! that wo' not act well, ha, ha! that wo' not doe well, you asse you. 2d Tay. You bit him for saying doe: Virmine, leave biting; you'd best. 1st Tay. What say you to our Spanish Bilbo? Did live imprison'd in my wanton flesh, I was a tayler in the court of Spaine." 2d Tay. Courtier Virmine in the court of Spaine. 3d Tay. I, there's a great many courtiers Virmine indeed: Those are they beg poore mens livings; Marke if I doe not gape wider than the widest Now for the passionate part- 1st Tay. Very fine: but who shall act Horatio? 2d Tay. Why, you are his father. 3d Tay. Pray who is fitter to act the sonne, than the father That begot him. 1st Tay. Who shall act prince Belthazer and the king? 3d Tay, I will doe prince Belthazer too: and for the king Who but I? which of you all has such a face for a king, Or such a leg to trip up the heeles of a traytor? 2d Tay. You will doe all I thinke. 3d Tay. Yes marry will I; who but Virmine? yet I will Leave all to play the king: Passe by Jeronimo. 2d Tay. Then you are for the king? Sd Tay. I, bully, I. 1st Tay. Lets goe seeke our fellowes, and to this geere. Sd Tay. Come on then. [Exeunt. A Table and Stooles set. Enter Brave. Bra. Men of our needfull profession, that deale in such commodities as mens lives, had need to looke about 'em 're they trafficke: I am to kill Raymond, the devills cozen german, for he weares the same complexion: but there is a right devill that hath hired me, that's count 3d Tay. That he was a mad rascall to stab Machvile. Good table conceale me; here will I wait my watch-word: but stay, have I not forgot it-(Then)-I, then is my arme to enter. I heare them comming. [Goes under the table. Enter the King, ANTONIO, Old Tayler, EVADNE, AURELIA, above. MACHVILE, RAYMOND, PHILIPPA, AURISTELLA, GIOVANNO, the Colonells, with a Guard below. Mach. Pray take your seats. Auris. Well wrought poison, O how joy swells me! 4 c Mach. It lives too neere him: Wo' not afford a name, that may distinguish Or a face like white broth, strew'd o're with cur This my neere ruin'd world; have you not strength To beare a curse, whose breath may taint the aire, That this globe may feele a universall plague? Aler. They need no law, Pan. They condemne and execute without a jury. Enter PHILIPPA mad. Phi. I come, I come; nay, fly not, for by hell I'le plucke thee by the beard, and drag thee thus Out of thy fiery cave. Ha! on yonder hill Stand troopes of divills waiting for my soule: But. I'le deceive 'em, and, instead of mine, Send this same spotted tygers. Auris. Oh! [Stabs AURISTELLA. Phi. So, whilst they to hell Are posting with their prize, I'le steale to hea ven: Wolfe, dost thou grin? ha! is my Raymond dead? So ho, so ho: come backe You sutty fiends that have my Raymonds soule, for 't: Where is my crowne? Philippa was a queene, Was she not, ha? Why so, where is O you have hid it-ha, wa'st thou my crowne? [Overthrowes the table. That rob'd Philippa of her Raymonds life? Nay, I will nip your wings, you shall not fly; I'le plucke you by the guarded front: and thus Sinke you to hell before me. [Stabs the Brave. Brave. Oh, oh! Phi. What, downe, ho, ho, ho: Laugh, laugh, you soules that fry in endlesse flames; Ha, whence this chilnesse-must I dye-nay then, I come, I come; nay weepe not, for I come : Sleepe, injur'd shadow; O'death strikes dumbe! [Dyes. Auris. Machvile thy hand, I can't repent, farewell: My burthened conscience sinkes me downe to hell. [Dyes. Mach. I cannot tarry long, farewell; weele meet Where we shall never part: if here be any Off disguise; see, falling count: Antonio forgives thee. shame! Mach. Antonio! O my Can you whom I have injur'd most pardon my guilt? Give me thy hand yet nearer, this imbrace Enter the King, AURELIA, EVADNE, Old King. Accursed villaine! thou hast murther'd him That holds not one small drop of loyall blood, But what is worth thy life. Evad. O my brother! Gio. Give him some ayre, the wound cannot be mortall. Aurel. Alas! he faints, O my Antonio! Curst Machvile, may thy soule Ant. Peace, peace Aurelia; be more merci full: Men are apt to censure, and will condemne Thy passion, call it madnesse, and say thou Wantst religion: nay, weepe not, sweet, For every one must dye: it was thy love, For to deceive the law, and give me life: But death you see has reacht me, O, I dye; Blood must have blood, so speakes the law of heaven : I slew the governour; for which rash deed, Heaven, fate, and man, thus make Antonio bleed. [Dyes. Mach. Sleepe, sleepe great heart, thy vertue Authors of vice, 'tis fit the vitious kill: Is as my strength, weake; and both seaz'd by Alas! good man, thou 'rt come unto a sight [Points to his crowne. Is 't not my right? was I not heire to Spaine? Pet. You are our prince, and may you live Long to injoy your right. King. But now looke here, 'tis plaine griefe has a hand Harder than joy; it presseth out such teares. Nay, rise. Pet. I doe beseech your grace not to thinke me Contriver of Antonio's scape from death, King. Antonio was thy sonne, I sent for thee Aurel. O my griefes, are you not strong enough To breake my heart? pray tell me, tell me true: Can it be thought a sin? or is it so, By my owne hand to ease my breast of woe? King. Alas! poore lady; rise, thy father's here. Pet. Looke up, Aurelia; ha! why doe you kneele? Pet. My joy had bin too great if he had liv'd; The thrifty heavens mingle our sweets with gall; Least being glutted with excesse of good, We should forget the giver. Rise, Sebastiano, With thy happy choise; mayst thou live crown'd With the injoyment of those benifits My prayers shall beg for: rise, Aurelia, And in some place blest with religious prayers, Spend thy left remnant. Aurel. You advise well: indeed it was a fault To breake the bonds of duty and of law; But love, O love! thou whose all conquering power Builds castles on the hearts of easie maides, And makes 'em strong unto attempt those dan gers; That, but rehearst before, wo'd fright their soules Desire a yearely stipend to that holy place And now, great king, Aurelia begs of you, King. Blest virgin, thy desires I will performe. Aurel. Then I leave you, my prayers shall still attend you; As I hope yours shall accompany me. [Exit. Pet. Farewell, girle; when I remember thee, The beades I drop shall be my teares. Enter VIRMINE in a Cloake for the Prologue. King. She's to all virgins a true mirror; They that wo'd behold true love, reflect on her : There 't is ingross'd. 3d Tay. Great king, our grace O. Tay. The king is sad, you must not act. 3d Tay. How? not act? Shall not Virmine act? O. Tay. Yes, you shall act, but not now; The king is indispos'd. Sd Tay. Well then, some other time; I Vir mine The king will act before the king. O. Tay. Very good, pray make your exit. 3d Tay. I'le muster up all the taylers in the Towne, and so tickle their sides. [The King and GIOVANNO whisper. O. Tay. Nay thou 'rt a right Virmine; goe, be not Finde Christian buriall: mercy befits a king. And to all countries let swift fame report, We 'le to our court, since all our owne is won. [Exeunt, EDITION. The Rebellion; a Tragedy: as it was acted nine dayes together, and divers times since, with good applause, by his Majesties company of revells. Written by Thomas Rawlins. London: Printed by I. Okes, for Daniell Frere, and are to be sold at the Signe of the Red Bull in Little Brittaine. 1640. THE WIT C H. EY THOMAS MIDDLETON. The following singular play was discovered in MS. by Mr Isaac Reed, Editor of the last edition of Steevens's Shakspeare, and of Dodsley's Collection of Old Plays, and by him printed and distributed among his friends. By the observations of Mr Malone, in his Chronology of the plays of Shakspeare, and of Mr Steevens, it would appear that The Witch was anterior to Macbeth, and that consequently the scenes of the Witches in the latter, similar to those which occur in the former, were imitated by Shakspeare, or at least suggested to him by the performance of Middleton. The songs beginning, Come away, &c. and Blackspirits, &c. of which only the two first words are printed in Macbeth, are found at full length in The Witch. The following dedication, from an apparent allusion to King James's act against Witches, which passed into a law in 1603, appears to have been written soon after that period. Middleton there speaks of his production as written long before: and that he found great difficulty in recovering it; the superior merit of Macbeth having probably caused it to be thrown aside. The plot of The Duke and Duchess of Ravenna is taken, with great alterations in the catastrophe, from the history of Albovene, King of Lombardy, related in a novel of Bandello, and afterwards formed into a tragedy by Sir W. Davenant. The present edition is printed from the one mentioned above and printed in 1778. The orthography is reduced to the present standard, and directions are added to the several scenes. NOBLE SIR, TO THE TRULY WORTHY AND GENEROUSLY AFFECTED THOMAS HOLMES, ESQUIRE. As a true testimony of my ready inclination to your service, I have, merely upon a taste of your desire, recovered into my hands, though not without much difficulty, this ignorantly ill-fated labour of me. Witches are, ipso facto, by the law condemned; and that only, I think, hath made her lie so long in an imprisoned obscurity: for your sake alone she hath thus far conjured herself abroad, and bears no other charms about her, but what may tend to your recreation; nor no other spell but to possess you with a belief, that as she, so he that first taught her to enchant, will always be Your devoted THO. MIDDLETON. |