Playing Shakespeare: An Actor's GuideKnopf Doubleday Publishing Group, 1984 - 288 ñòîð. Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students. |
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Ðåçóëüòàòè 1-3 ³ç 31
Ñòîð³íêà 117
An Actor's Guide John Barton. To hold in right and title of the female So do the kings of France unto this day . Howbeit they would hold up this Salic law To bar your highness claiming from the female , And rather choose to hide them in ...
An Actor's Guide John Barton. To hold in right and title of the female So do the kings of France unto this day . Howbeit they would hold up this Salic law To bar your highness claiming from the female , And rather choose to hide them in ...
Ñòîð³íêà 195
... hold the bent . Richard Pasco : " Cannot hold the bent " means ... ? Cannot last . Can't endure . Richard Pasco : Yes . Now that seemed all perfectly straightforward . Was it ? Yes , the verse there is much more straightforward . Except ...
... hold the bent . Richard Pasco : " Cannot hold the bent " means ... ? Cannot last . Can't endure . Richard Pasco : Yes . Now that seemed all perfectly straightforward . Was it ? Yes , the verse there is much more straightforward . Except ...
Ñòîð³íêà 203
... hold as giddily as fortune ... VIOLA : But if she cannot love you , sir ? ORSINO : It cannot be so answered . VIOLA : Sooth , but you must . Say that some lady , as perhaps there is , Hath for your love as great a pang of heart As you ...
... hold as giddily as fortune ... VIOLA : But if she cannot love you , sir ? ORSINO : It cannot be so answered . VIOLA : Sooth , but you must . Say that some lady , as perhaps there is , Hath for your love as great a pang of heart As you ...
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The Two Traditions Elizabethan and Modern Acting | 3 |
Using the Verse Heightened and Naturalistic Verse | 27 |
Language and Character Making the Words Ones Own | 56 |
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actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character COSTARD course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotional example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause Peggy Ashcroft perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense Shake Shakespeare's text Sheila Hancock Shylock soliloquy sonnet sooth I know sounds speak speare strong stresses talking tell theater thee there's thing thou thought Tony Church Troilus Tubal verse line verse-line VIOLA words
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Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video Lynda E. Boose,Richard Burt Ïîïåðåäí³é ïåðåãëÿä íåäîñòóïíèé - 1997 |