PREFACE BY THE GENERAL EDITOR THIS series of books aims, first, to give the English texts required for entrance to college in a form which shall make them clear, interesting, and helpful to those who are beginning the study of literature; and, second, to supply the knowledge which the student needs to pass the entrance examination. For these two reasons it is called The Gateway Series. The poems, plays, essays, and stories in these small volumes are treated, first of all, as works of literature, which were written to be read and enjoyed, not to be parsed and scanned and pulled to pieces. A short life of the author is given, and a portrait, in order to help the student to know the real person who wrote the book. The introduction tells. what it is about, and how it was written, and where the author got the idea, and what it means. The notes at the foot of the page are simply to give the sense of the hard words so that the student can read straight on without turning to a dictionary. The other notes, at the end of the book, explain difficulties and allusions and fine points. The editors are chosen because of their thorough training and special fitness to deal with the books. committed to them, and because they agree with this idea of what a Gateway Series ought to be. They express, in each case, their own views of the books which they edit. Simplicity, thoroughness, shortness, and clearness, — these, we hope, will be the marks of the series. HENRY VAN DYKE. PREFACE THE text of the Coverley papers in this volume is that of G. Gregory Smith's edition of The Spectator. This edition has been chosen because it reproduces the original form of the papers after they had been corrected by Steele and Addison for the first Collected Edition of The Spectator, 1712-1715, and before they had been tampered with by later editors. In three or four instances, a few words have been omittedomission in every case being indicated, and spelling, punctuation, and capitalization have been modernized, as they must be for a school text. In other particulars it is believed the papers stand in this volume as they were left by their authors. the All the Coverley papers are included except that one by Tickell of which Addison himself disapproved. I have thought it best, however, to print only entire papers; and have not, therefore, culled the few paragraphs in which incidental mention is made of Sir Roger in the course of essays devoted chiefly to other subjects. In accordance with the plan of this Series, the occasional brief notes needed to explain a word or to call attention to some peculiar idiom or structure are set at the foot of the page; longer, illustrative notes follow the text at the end of the volume. The best method of approach to the work of any author is usually through a study of his life and surroundings; this is certainly true of a literature so full of personal interest as the literature of the age of Queen Anne. I have, therefore, in the Introduction attempted to give some notion of the personality of Steele and Addison, and then some account of the social conditions that explain the remarkable success of The Tatler and The Spectator. Two or three books, like Thackeray's English Humourists of the Eighteenth Century and Ashton's Social Life in the Reign of Queen Anne, will help the student in his endeavour to frame in his imagination a picture of the men and their time; but for comment on The Spectator, nothing, after all, is worth so much as The Spectator itself. The student should be encouraged to read more of these charming papers, and to make himself, if possible, a little at home in that most urbane and hospitable period of English literature. |