Gloriana's Face: Women, Public and Private, in the English RenaissanceS. P. Cerasano, Marion Wynne-Davies Harvester Wheatsheaf, 1992 - 234 стор. |
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Сторінка 115
... authority we now have imitative gestures destabilised by desire into a series of sliding signifiers . Philoclea begins by returning Zelmane's gazes , sighs and gestures , conforming herself to that which she did like , and not only ...
... authority we now have imitative gestures destabilised by desire into a series of sliding signifiers . Philoclea begins by returning Zelmane's gazes , sighs and gestures , conforming herself to that which she did like , and not only ...
Сторінка 187
... authority . Drawing on biblical examples , Puritan preachers developed a role model for women in which they fulfil their function , as wives , through volun- tary submission to their husbands ' will . William Gouge , one of the most ...
... authority . Drawing on biblical examples , Puritan preachers developed a role model for women in which they fulfil their function , as wives , through volun- tary submission to their husbands ' will . William Gouge , one of the most ...
Сторінка 218
... authority ascribed to her husband , just as Katherine Chidley did when she asked : what authority this unbeleeving husband hath over the conscience of his beleeving wife ; It is true he hath authority over her in bodilly and civill ...
... authority ascribed to her husband , just as Katherine Chidley did when she asked : what authority this unbeleeving husband hath over the conscience of his beleeving wife ; It is true he hath authority over her in bodilly and civill ...
Зміст
Penelope and the Politics of Womans Place in | 25 |
Autobiographical Texts | 47 |
Queen Elizabeth in Her Speeches | 63 |
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Gloriana's Face: Women, Public and Private, in the English Renaissance S. P. Cerasano,Marion Wynne-Davies Обмежений попередній перегляд - 1992 |
Gloriana's Face: Women, Public and Private, in the English Renaissance S. P. Cerasano,Marion Wynne-Davies Перегляд фрагмента - 1992 |
Загальні терміни та фрази
accept action activities allowed Anne appears Arcadia authority become beginning body called century character court criticism daughter death described desire difference discourse discussion early edition Elizabeth England English essay example face fact female Figure finally further gender gives Henry Hero Hotspur husband identity John Kate Katherine King Lady language later letter lives London Lord male marriage Mary masque meaning Mortimer mother nature notes offer performed Petruchio play political portrait position possible present published Puritan Quaker Queen question references relation relationship Renaissance response rhetoric role scene seems seen sense sexual Shakespeare Shrew silence slander social speak speech spiritual story suggests Taming tells Thomas thought University Press virtue wife woman women writing York
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My Name was Martha: A Renaissance Woman's Autobiographical Poem Martha Moulsworth Перегляд фрагмента - 1993 |