RomancesD. Longworth, at the Shakespeare-Gallery, 1803 - 264 стор. |
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Aciloe Ahmed Amaryllis Anacreon arabian arabic grammar arms bardak beauty bedoweens behold bosom breast breath canst CASHMERE charm cheek cherished color cried delicious delight delirious delirium desert despair didst earth Ebnselan effendi emir exclaimed eyes face faint father fawn feel fendi flowers gazed gazel glory glowing goats god sculptured graces grove hair hand happy heart heaven inchanting Kais kiss Lebid Leila light lips listened live looked lover Lycidas Macedon maid Mejnoun melancholy mistress moon mother murmurs nature never night nightingale NOTE Noufel o'er odors passion Perceforest persian Petrarch physiognomy pleasure poet prince replied rock ROMAN triumph romance rose seemed Servius Galba shade sighed silent slave smile soft solitary solitude soul sweet tears tell tender tent thee thine thou art thou hast thought tion touched tree trembling tresses valley Vathek vermil verses virgin Vitruvius voice wander wave weep youth
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Сторінка 148 - Plucking ripe clusters from the tender shoots ; Their port was more than human, as they stood ; I took it for a fairy vision Of some gay creatures of the element, That in the colours of the rainbow live, And play i
Сторінка 43 - First unadorned, And nobly plain, the manly Doric rose ; The Ionic then, with decent matron grace, Her airy pillar heaved ; luxuriant last, The rich Corinthian spread her wanton wreath.
Сторінка 156 - Sir William Jones describes an oriental MS. in which the name of Mohammed was fancifully adorned with a garland of tulips and carnations, painted in the brightest colours. The favourite works of the Persians are written on fine silky paper, the ground of which is often powdered with gold or silver dust ; the leaves are frequently illuminated, and the whole book is sometimes perfumed with essence of roses or sandal wood. The Romans had several sorts of paper...
Сторінка 149 - But rather to tell how, if art could tell, How from that sapphire fount the crisped brooks, Rolling on orient pearl and sands of gold...
Сторінка xii - Well, to my taste," said my mother, "the novels I used to read when a girl (for I have not read many since, I am ashamed to say) — " MR. CAXTON. — " No, you need not be at all ashamed of it, Kitty.
Сторінка 148 - The sublime idea which Milton entertained of a fairy vision corresponds rather with that which the Persian poets have conceived of the Peries. " Their port was more than human as they stood ; I took it for a faery vision Of some gay creatures of the element, That in the colours of the rainbow live And play i' th
Сторінка 157 - ... où le voyageur n'a jamais respiré sous l'ombrage, où rien ne l'accompagne, rien ne lui rappelle la nature vivante : solitude absolue, mille fois plus affreuse que celle des forêts; car les arbres sont encore des êtres pour l'homme qui se...
Сторінка 39 - Shall we become old without having known enjoyment ? • CHILDREN of nature! the universal parent prepares for ye the maturity of happiness!
Сторінка 155 - ... by a natural association of ideas, they are therefore connected as the constant and inseparable attendants of the spring. It is probable too that the nightingale's favorite retreat may be the rose-garden, and the leaves of that flower occasionally his food; but it is certain that he is delighted with its smell, and sometimes indulges in the fragrant luxury to such excess as to fall from the branch, intoxicated and helpless, to the ground.