your childhood you have known the verses: but who can hear their sacred music without love and awe ?

"Soon as the evening shades prevail,

The moon takes up the wondrous tale,
And nightly to the listening earth
Repeats the story of her birth;

And all the stars that round her burn,
And all the planets in their turn,
Confirm the tidings as they roll,

And spread the truth from pole to pole.
What though, in solemn silence, all
Move round this dark terrestrial ball;
What though no real voice nor sound,
Among their radiant orbs be found;
In reason's ear they all rejoice,
And utter forth a glorious voice,

For ever singing as they shine,

The hand that made us is divine."

It seems to me those verses shine like the stars. They shine out of a great deep calm. When he turns to Heaven, a Sabbath comes over that man's mind: and his face lights up from it with a glory of thanks and prayer. His sense of religion stirs through his whole being. In the fields, in the town: looking at the birds in the trees: at the children in the streets in the morning or in the moonlight: over his books in his own room: in a happy party at a country merry-making or a town assembly, good-will and peace to God's creatures, and love and awe of Him who made them, fill his pure heart and shine from his kind face. If Swift's life was the most wretched, I think Addison's was one of the most enviable. A life prosperous and beautiful-a calm death

-an immense fame and affection afterwards for his happy and spotless name.'

1 "Garth sent to Addison (of whom he had a very high opinion) on his death-bed,

to ask him whether the Christian religion was true."-Dr. YOUNG (Spence's Anec dotes).

"I have always preferred cheerfulness to mirth. The latter I consider as an act, the former as an habit of the mind. Mirth is short and transient, cheerfulness fixed and permanent. Those are often raised into the greatest transports of mirth who are subject to the greatest depression of melancholy: on the contrary, cheerfulness, though it does not give the mind such an exquisite gladness, prevents us from falling into any depths of sorrow. Mirth is like a flash of lightning that breaks through a gloom of clouds, and glitters for a moment; cheerfulness keeps up a kind of daylight in the mind, and fills it with a steady and perpetual serenity."-ADDISON (Spectator, p. 381).

LECTURE THE THIRD.

STEELE.

WHAT do we look for in studying the history of a past age? Is it to learn the political transactions and characters of the leading public men? is it to make ourselves acquainted with the life and being of the time? If we set out with the former grave purpose, where is the truth, and who believes that he has it entire? What character of what great man is known to you? You can but make guesses as to character more or less happy. In common life don't you often judge and misjudge a man's whole conduct, setting out from a wrong impression? The tone of a voice, a word said in joke, or a trifle in behaviour― the cut of his hair or the tie of his neckcloth may disfigure him in your eyes, or poison your good opinion; or at the end of years of intimacy it may be your closest friend says something, reveals something which had previously been a secret, which alters all your views about him, and shows that he has been acting on quite a different motive to that which you fancied you knew. And if it is so with those you know, how much more with those you do not know? Say, for example, that I want to understand the character of the Duke of Marlborough. I read Swift's history of the times in which he took a part; the shrewdest of observers and initiated, one would think, into the politics of the age -he hints to me that Marlborough was a coward, and

even of doubtful military capacity: he speaks of Walpole as a contemptible boor, and scarcely mentions, except to flout it, the great intrigue of the Queen's latter days, which was to have ended in bringing back the Pretender. Again, I read Marlborough's life by a copious archdeacon, who has the command of immense papers, of sonorous language, of what is called the best information; and I get little or no insight into this secret motive which I believe influenced the whole of Marlborough's career, which caused his turnings and windings, his opportune fidelity and treason, stopped his army almost at Paris gate, and landed him finally on the Hanoverian side-the winning side; I get, I say, no truth or only a portion of it in the narrative of either writer, and believe that Cox's portrait or Swift's portrait is quite unlike the real Churchill. I take this as a single instance, prepared to be as sceptical about any other, and say to the Muse of History, "O venerable daughter of Mnemosyne, I doubt every single statement you ever made since your ladyship was a Muse! For all your grave airs and high pretensions, you are not a whit more trustworthy than some of your lighter sisters on whom your partizans look down. You bid me listen to a general's oration to his soldiers. Nonsense! He no more made it than Turpin made his dying speech at Newgate. You pronounce a panegyric of a hero; I doubt it, and say you flatter outrageously. You utter the condemnation of a loose character; I doubt it, and think you are prejudiced and take the side of the Dons. You offer me an autobiography; I doubt all autobiographies I ever read, except those, perhaps, of Mr. Robinson Crusue, Mariner, and writers of his class. These have no object in setting them

selves right with the public or their own consciences, these have no motive for concealment or half truths, these call for no more confidence than I can cheerfully give, and do not force me to tax my credulity or to fortify it by evidence. I take up a volume of Dr. Smollett, or a volume of the "Spectator," and say the fiction carries a greater amount of truth in solution than the volume which purports to be all true. Out of the fictitious book I get the expression of the life of the time; of the manners, of the movement, the dress, the pleasures, the laughter, the ridicules of society -the old times live again, and I travel in the old country of England. Can the heaviest historian do more for me?

As we read in these delightful volumes of the "Tatler" and "Spectator," the past age returns, the England of our ancestors is revivified. The May-pole rises in the Strand again in London; the churches are crowded with daily worshippers; the beaux are gathering in the coffee-houses -the gentry are going to the Drawing-room-the ladies are thronging to the toy-shops-the chairmen are jostling in the streets-the footmen are running with links before the chariots, or fighting round the theatre doors. In the country I see the young Squire riding to Eton with his servants behind him, and Will Wimble, the friend of the family, to see him safe. To make that journey from the Squire's and back, Will is a week on horseback. The coach takes five days between London and Bath. The judges and the bar ride the circuit. If my lady comes to town in her post-chariot, her people carry pistols to fire a salute on Captain Macheath if he should appear, and her couriers ride ahead to prepare apartments for her at the great caravanserais on the road; Boniface receives her