after she is gone; of her wit, of her kindness, of her grace, of her beauty, with a simple love and reverence that are indescribably touching; in contemplation of her goodness his hard heart melts into pathos: his cold rhyme kindles and glows into poetry, and he falls down on his knees, so to speak, before the angel, whose life he had embittered, confesses his own wretchedness and unworthiness, and adores her with cries of remorse and love :

"When on my sickly couch I lay,
Impatient both of night and day,
And groaning in unmanly strains,
Called every power to ease my pains,
Then Stella ran to my relief,
With cheerful face and inward grief,
And though by Heaven's severe decree
She suffers hourly more than me,
No cruel master could require
From slaves employed for daily hire,

What Stella, by her friendship warmed,
With vigour and delight performed.
Now, with a soft and silent tread,
Unheard she moves about my bed:
My sinking spirits now supplies
With cordials in her hands and eyes.
Best pattern of true friends! beware;
You pay too dearly for your care
If, while your tenderness secures
My life, it must endanger yours:
For such a fool was never found
Who pulled a palace to the ground,
Only to have the ruins made

Materials for a house decayed."

One little triumph Stella had in her life-one dear little piece of injustice was performed in her favour, for which I confess, for my part, I cannot help thanking fate and the Dean. That other person was sacrificed to her-that-that young woman, who lived five doors from Dr. Swift's lodgings

in Bury-street, and who flattered him, and made love to him in such an outrageous manner-Vanessa was thrown over.

Swift did not keep Stella's letters to him in reply to those he wrote to her.' He kept Bolingbroke's, and Pope's, and Harley's, and Peterborough's: but Stella, "very carefully," the Lives say, kept Swift's. Of course: that is the way of

1 The following passages are from a paper begun by Swift on the evening of the day of her death, Jan. 28, 1727-8:

"She was sickly from her childhood, until about the age of fifteen; but then she grew into perfect health, and was looked upon as one of the most beautiful, graceful, and agreeable young women in London-only a little too fat. Her hair was blacker than a raven, and every feature of her face in perfection.

"Properly speaking" he goes on with a calmness which, under the circumstances, is terrible-" she has been dying six months!"

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"Never was any of her sex born with better gifts of the mind, or who more improved them by reading and conversation. . . . . . All of us who had the happiness of her friendship agreed unanimously that in an afternoon's or evening's conversation she never failed before we parted of delivering the best thing that was said in the company. Some of us have written down several of her sayings, or what the French call bons mots, wherein she excelled beyond belief."

The specimens on record, however, in the Dean's paper called "Bons Mots de Stella," scarcely bear out this last part of the panegyric. But the following prove her wit:

"A gentleman, who had been very silly and pert in her company, at last began to grieve at remembering the loss of a child lately dead. A bishop sitting by comfort ed him that he should be easy, because 'the child was gone to heaven.' 'No, my lord,' said she; that is it which most grieves him, because he is sure never to see his child there.'

"When she was extremely ill, her physician said, 'Madam, you are near the bottom of the hill, but we will endeavour to get you up again.' She answered, "Doctor, I fear I shall be out of breath before I get up to the top.'

"A very dirty clergyman of her acquaintance, who affected smartness and repartees, was asked by some of the company how his nails came to be so dirty. He was at a loss; but she solved the difficulty, by saying, 'the Doctor's nails grew dirty by scratching himself.'

"A quaker apothecary sent her a vial, corked; it had a broad brim, and a label of paper about its neck. 'What is that' said she-' my apothecary's son!' The ridiculous resemblance, and the suddenness of the question, set us all a-laughing." -Swift's Works, SCOTT's Ed. vol. ix. 295-6.

the world and so we cannot tell what her style was, or of what sort were the little letters which the Doctor placed there at night, and bade to appear from under his pillow of a morning. But in Letter IV. of that famous collection he describes his lodging in Bury-street, where he has the first floor, a dining-room and bed-chamber, at eight shillings aweek; and in Letter VI. he says "he has visited a lady just come to town," whose name somehow is not mentioned; and in Letter VIII. he enters a query of Stella's"What do you mean 'that boards near me, that I dine with now and then?' What the deuce! You know whom I have dined with every day since I left you, better than I do." Of course she does. Of course Swift has not the slightest idea of what she means. But in a few letters more it turns out that the Doctor has been to dine" gravely" with a Mrs. Vanhomrigh: then that he has been to "his neighbour:" then that he has been unwell, and means to dine for the whole week with his neighbour! Stella was quite right in her previsions. She saw from the very first hint what was going to happen; and scented Vanessa in the air. The rival is at the Dean's feet. The pupil and teacher are reading together, and drinking tea together, and going to prayers together, and learning Latin together, and conjugating amo, amas, amavi together. The little language is over for poor Stella. By the rule of grammar and

"I am so hot and lazy after my morning's walk, that I loitered at Mrs. Vanhomrigh's, where my best gown and periwig was, and out of mere listlessness dine there, very often; so I did to-day."-Journal to Stella.

Mrs. Vanhomrigh, "Vanessa's" mother, was the widow of a Dutch merchant who held lucrative appointments in King William's time. The family settled in London in 1709, and had a house in Bury-street, St. James's—a street made notable by such esidents as Swift and Steele; and, in our own time, Moore and Crabbe.

the course of conjugation, does not amavi come after amo and amas?

The loves of Cadenus and Vanessa' you may peruse in Cadenus's own poem on the subject, and in poor Vanessa's vehement expostulatory verses and letters to him, she adores him, implores him, admires him, thinks him something god-like, and only prays to be admitted to lie at his feet.' As they are bringing him home from church, those divine feet of Dr. Swift's are found pretty often in Vanessa's parlour. He likes to be admired and adored. Il y prend goût. He finds Miss Vanhomrigh to be a woman of great taste and spirit, and beauty and wit, and a fortune too. He sees her every day; he does not tell Stella about the

1 "Vanessa was excessively vain. The character given of her by Cadenus is fine painting, but in general fictitious. She was fond of dress; impatient to be admired; very romantic in her turn of mind; superior, in her own opinion, to all her sex; full of pertness, gaiety, and pride; not without some agreeable accomplishments, but far from being either beautiful or genteel; . . . . . happy in the thoughts of being reported Swift's concubine, but still aiming and intending to be his wife." --LORD ORRERY.

2 "You bid me be easy, and you would see me as often as you could. You had better have said, as often as you can get the better of your inclinations so much; or as often as you remember there was such a one in the world. If you continue to treat me as you do, you will not be made uneasy by me long. It is impossible to describe what I have suffered since I saw you last: I am sure I could have borne the rack much better than those killing, killing words of yours. Sometimes I have resolved to die without seeing you more; but those resolves, to your misfortune, did not last long; for there is something in human nature that prompts one so to find relief in this world I must give way to it, and beg you would see me, and speak kindly to me; for I am sure you'd not condemn any one to suffer what I have done, could you but know it. The reason I write to you is, because I cannot tell it to you, should I see you; for when I begin to complain, then you are angry, and there is something in your looks so awful that it strikes me dumb. Oh that you may have but so much regard for me left that this complaint may touch your soul with pity. I say as little as ever I can; did you but know what I thought, I am sure it would move you to forgive me; and believe I cannot help telling you this and live." -VANESSA. (M. 1714.)

business until the impetuous Vanessa becomes too fond of him, until the doctor is quite frightened by the young woman's ardour, and confounded by her warmth. He wanted to marry neither of them-that I believe was the truth; but if he had not married Stella, Vanessa would have had him in spite of himself. When he went back to Ireland, his Ariadne, not content to remain in her isle, pursued the fugitive Dean. In vain he protested, he vowed, he soothed and bullied; the news of the Dean's marriage with Stella at last came to her, and it killed her-she died of that sion.'

pas

1 "If we consider Swift's behaviour, so far only as it relates to women, we shall find that he looked upon them rather as busts than as whole figures."—ORRERY. "You must have smiled to have found his house a constant seraglio of very virtuous women, who attended him from morning to night."―ORRERY.

A correspondent of Sir Walter Scott's furnished him with the materials on which to found the following interesting passage about Vanessa-after she had retired to cherish her passion in retreat :

"Marley Abbey, near Celbridge, where Miss Vanhomrigh resided, is built much in the form of a real cloister, especially in its external appearance. An aged man (upwards of ninety, by his own account) showed the grounds to my correspondent He was the son of Mrs. Vanhomrigh's gardener, and used to work with his father in the garden while a boy. He remembered the unfortunate Vanessa well; and his account of her corresponded with the usual description of her person, especially as to her embonpoint. He said she went seldom abroad, and saw little company: her constant amusement was reading, or walking in the garden. .'. . . . She avoided company, and was always melancholy, save when Dean Swift was there, and then she seemed happy. The garden was to an uncommon degree crowded with laurels. The old man said that when Miss Vanhomrigh expected the Dean she always planted with her own hand a laurel or two against his arrival. He showed her favourite seat, still called 'Vanessa's bower.' Three or four trees and some laurels indicate the spot. There were two seats and a rude table within

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the bower, the opening of which commanded a view of the Liffey. In this sequestered spot, according to the old gardener's account, the Dean and Vanessa used often to sit, with books and writing materials on the table before them.”— SCOTT'S Swift, vol. i. pp. 246-7.

"But Miss Vanhomrigh, irritated at the situation in which she found herself, determined on bringing to a crisis those expectations of a union with the object