 | 1811 - 600 стор.
...meretricious ornament. The fabric of St. Peter, scat« tered into infinity of jarring parts by Bramante and his successors, he « concentrated; suspended...the cupola; and to the most complex gave « the air 9f the most simple of edifices. Such, take him all in all, was « M. Angelo, the salt of art: sometimes... | |
 | Alexander Chalmers - 1813 - 504 стор.
...ornament. The fabric of St. Peter's, scattered into infinity of jarring parts by his predecessors, he concentrated, suspended the cupola, and to the...complex gave the air of the most Simple of edifices. Such, take him all in all, was Michel Angelo, the -salt of art ; sometimes he, no doubt, had moments,... | |
 | Thomas Curtis (of Grove house sch, Islington) - 512 стор.
...meretricious ornament. The fabric of St. Peter, scattered into an infinity of jarring parts by Bramante and his successors, he concentrated ; suspended the...complex gave the air of the most simple of edifices. Such, take him all in all, was M. Angiolo, the salt of art: sometimes he no doubt had his moments of... | |
 | Matthew Pilkington - 1829 - 586 стор.
...ornament. The fabric of St. Peter's, scattered into infinity of jarring parts by his predecessors, he concentrated, suspended the cupola, and to the...complex, gave the air of the most simple of edifices. Such was Michel Angelo, the salt of art : sometimes he had moments and perhaps periods of dereliction,... | |
 | Benjamin Dudley Emerson - 1830 - 334 стор.
...meretricious ornament. The fabric of St Peter, scattered into infinity of jarring parts by Bramante and his successors, he concentrated ; suspended the...complex, gave the air of the most simple of edifices. Such was Michael Angelo, the salt of art : sometimes he, no doubt, had his moments of dereliction,... | |
 | Johann Heinrich Füssli - 1831 - 420 стор.
...possession of W. Lock, Esq. was painted in distemper (a tempera); all small or large oil-pictures mante and his successors, he concentrated; suspended the...complex gave the air of the most simple of edifices. Such, take him all in all, was M. Angelo, the salt of art: sometimes he no doubt had his moments of... | |
 | Benjamin Dudley Emerson - 1831 - 356 стор.
...meretricious ornament. The fabric of St. Peter, scattered into infinity of jarring parts by Bramante and his successors, he concentrated; suspended the...complex, gave the air of the most simple of edifices. Such was Michael Angelo, the salt of art: sometimes he, no doubt, had his moments of dereliction, deviated... | |
 | Allan Cunningham - 1831 - 292 стор.
...Though as sculptor he expresses the character of flesh more perfectly than all who came before-ojr after him, yet he never -submitted to copy an individual,...than this remarkable man could veil ordinary thoughts undef colossal words. The reader will thank me for transcribing also the following portrait of Leonard!... | |
 | 1833 - 504 стор.
...meretricious ornament. The fabric of St. Peter's, scattered into infinity of jarring parts by Bramante and his successors, he concentrated ; suspended the...complex gave the air of the most simple of edifices. Such, take him for all in all, was M. Angelo, the salt of art : sometimes he no doubt had his moments... | |
 | 1833 - 308 стор.
...meretricious ornament. The fabric of St. Peter's, scattered into infinity of jarring parts by Bramante and his successors, he concentrated ; suspended the...complex gave the air of the most simple of edifices. Such, take him for all in all, was M. Angelo, the salt of art : sometimes he no doubt had his moments... | |
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Peter's, scattered into infinity of jarring parts by Bramante and his successors, he concentrated ; suspended the cupola, and to the most complex gave the air of the most simple of edifices. 
