Z. Angl. AmVEB Verlag Enzyklopädie, 2004 |
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Сторінка 170
... imagination , for the universe is conceived of as an archive of discourses . Ann Rigney , how- ever , emphasises that empathy and imagination are greatly required in the busi- ness of the cultural historian . She maintains that ...
... imagination , for the universe is conceived of as an archive of discourses . Ann Rigney , how- ever , emphasises that empathy and imagination are greatly required in the busi- ness of the cultural historian . She maintains that ...
Сторінка 197
central question posed by the study as to the role of intellect and imagination is then answered with an account of the spi- ralling complexities of Coleridge's con- cept of the imagination which in its latest stage included reason as ...
central question posed by the study as to the role of intellect and imagination is then answered with an account of the spi- ralling complexities of Coleridge's con- cept of the imagination which in its latest stage included reason as ...
Сторінка 261
... imagination when de- scribing the creative fusion of our sensory intake , on the one hand , and our ac- tive mental patterning that gives shape and meaning to what we see and hear , on the other . It is through such acts of active ...
... imagination when de- scribing the creative fusion of our sensory intake , on the one hand , and our ac- tive mental patterning that gives shape and meaning to what we see and hear , on the other . It is through such acts of active ...
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PETER KRAHÉ | 19 |
MARIANNE FLASSBECK | 35 |
HANS OSTERWALDER | 53 |
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