Z. Angl. AmVEB Verlag Enzyklopädie, 2004 |
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Сторінка 198
... final remarks about this " rela- tively eclectic group " reflect the precari- ous flexibility of the categories ' costume ' and ' heritage ' for films as diverse as Pros- pero's Books and Robin Hood : Men in Tights . For his corpus , he ...
... final remarks about this " rela- tively eclectic group " reflect the precari- ous flexibility of the categories ' costume ' and ' heritage ' for films as diverse as Pros- pero's Books and Robin Hood : Men in Tights . For his corpus , he ...
Сторінка 264
... final stanza ) , he does not feel poor because he has stored his aesthetic wealth in his memory . His personal existential choice liberates him from social . constraints.10 4.2 Translating Nature into a Work of Art in Douglas Stewart's ...
... final stanza ) , he does not feel poor because he has stored his aesthetic wealth in his memory . His personal existential choice liberates him from social . constraints.10 4.2 Translating Nature into a Work of Art in Douglas Stewart's ...
Сторінка 282
... final shift from oral to written modes of knowledge transmission , which the novel locates in the late 19th century , the old field hand Jo Perry , who later becomes a gardener , is considered " a rather tire- some rambling fellow ...
... final shift from oral to written modes of knowledge transmission , which the novel locates in the late 19th century , the old field hand Jo Perry , who later becomes a gardener , is considered " a rather tire- some rambling fellow ...
Зміст
PETER KRAHÉ | 19 |
MARIANNE FLASSBECK | 35 |
HANS OSTERWALDER | 53 |
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