Thy watch may stand, my minutes fly posthaste; No sound calls back the year that once is past. Then, sweetest Silvia, let 's no longer stay; True love, we know, precipitates delay. Away with doubts, all scruples hence remove; No man at one time can be wise and love. 8 THE PARLIAMENT OF ROSES TO JULIA I DREAMT the roses one time went Then in that parley all those powers 9 NO BASHFULNESS IN BEGGING To get thine ends, lay bashfulness aside; Who fears to ask doth teach to be denied. 10 UPON ELECTRA WHEN out of bed my love doth spring, But when she 's up and fully dressed, 11 TO PERILLA AH, my Perilla! dost thou grieve to see Me, day by day, to steal away from thee? Age calls me hence, and my gray hairs bid come, And haste away to mine eternal home; spring; With which, Perilla, wash my hands and feet; That done, then wind me in that very sheet Which wrapped thy smooth limbs when thou didst implore The gods' protection but the night before. Follow me weeping to my turf, and there Let fall a primrose, and with it a tear. Then, lastly, let some weekly strewings be Devoted to the memory of me. Then shall my ghost not walk about, but keep Still in the cool and silent shades of sleep. 12 A SONG TO THE MASKERS COME down and dance ye in the toil Of pleasures to a heat; Of roses be your sweat. Not only to yourselves assume As goddess Isis, when she went Or glided through the street, Made all that touched her, with her scent, And whom she touched, turn sweet. 13 TO PERENNA WHEN I thy parts run o'er, I can't espy In any one the least indecency; But every line and limb diffused thence So that the more I look the more I prove 14 THE WOUNDED HEART COME, bring your sampler, and with art And dropping here and there: May by This secret see, Though you can make That heart to bleed, yours ne'er will ache For me. 15 TO ANTHEA IF, dear Anthea, my hard fate it be Then holding up there such religious As were, time past, thy holy filletings, So three in one small plot of ground shall lie Anthea, Herrick, and his poetry. 16 THE WEEPING CHERRY I SAW a cherry weep, and why? 17 SOFT MUSIC THE mellow touch of music most doth wound The soul when it doth rather sigh than sound. |