The Consolation of Otherness: The Male Love Elegy in Milton, Gray and TennysonMcFarland, Incorporated, Publishers, 6 черв. 2002 р. - 176 стор. The social and religious constraints of their time may have prevented John Milton, Thomas Gray, and Alfred Tennyson from conscious expression or even unconscious recognition of the true extent of their love and devotion to their young male friends, but it lies at the heart of their emotional lives and poetry. Connected by the extraordinary coincidence that each of their loved ones died young, Milton, Gray, and Tennyson are also connected by the male-love elegies that sprang from their grief. This work examines the relationships between John Milton and Charles Diodati, Thomas Gray and Richard West, and Alfred Tennyson and Arthur Hallam through a critical study of Milton's "Epitaphium Damonis," Gray's "Elegy," and Tennyson's "In Memoriam." It shows how their concepts of otherness and difference from the people around them provided comfort after the loss of their loved ones. It discusses Milton's use of Latin to mourn his friend and screen the most resounding expressions of his love while keeping at bay those not ready to understand his concept of otherness, how Gray used both Latin and the vernacular to express his grief while conforming to social and religious constraints by also addressing larger concerns; and Tennyson's ability to use the vernacular with complete security to speak out and yet hold back private thoughts about the person he loved more than almost any other in his life. |
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... soft , almost tangible quality of this devotion as Milton often does in his Epitaphium Damonis . As Tennyson longed for the touch of Hallam's hand one last time , so the desire to be near West , to be comforted by his warm and kindly ...
... soft lamentations . But the phrase " ictus amore ” most powerfully imitates the hidden wounds of love . Here at last is the explication of , and testi- mony to , his love for Richard West . The soul cannot rest , the poem can- not be ...
... soft quivering blues of the Mediterranean part of the watercolor sphere of London comes true : “ Dicite Sicelicum Thamesina per oppida carmen " ( 1. 3 ) . The means by which the reader is taken from general to personal may be described ...
Зміст
Introduction | 1 |
CHAPTER TWOA Secret Sympathy | 45 |
CHAPTER THREE Points of Resistance | 90 |
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The Consolation of Otherness: The Male Love Elegy in Milton, Gray and Tennyson Matthew Curr Обмежений попередній перегляд - 2002 |