Silence and Sound: Theories of Poetics from the Eighteenth CenturyFairleigh Dickinson University Press, 1992 - 231 стор. This work demonstrates that reading poems silent and aloud involves two separate dimensions of understanding, and that unless we accept that silent poetics and spoken performance create tensions and ambiguities that can only be resolved by the readers' control of both experiences, we will perpetuate an inaccurate perception of how poetry works. |
Зміст
About the References Notes and Bibliography | 9 |
The Prosodic Background | 19 |
Woodford to Sheridan 38 | 33 |
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Silence and Sound: Theories of Poetics from the Eighteenth Century Richard Bradford Попередній перегляд недоступний - 1992 |
Загальні терміни та фрази
accent acknowledge attempt awareness balance become blank verse called century chapter clear close complex component conception connections consider continuity conventions couplet created critics dependent disrupt distinction edition effect eighteenth eighteenth-century critics elements emerges English essay established existence experience formal free verse grammar harmony ideal identity influence intention interpretive John language linguistic literary London meaning measure medium metrical Milton mind movement natural never notion offered oral Paradise Lost patterns pause performance poem poet poetic poetic form poetry possible practice printed problem produced prose prosodic provides question reader reading reference regarded relation represent reprinted resonances rhetorical rhyme rhythmic rules seems sense separate sequence sequential shape Sheridan significant silent similar sound speech spoken structure syllables syntactic syntax technique tension theory tion traditional understanding units visual visual format voice Walker Wordsworth writing written
Посилання на книгу
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Обмежений попередній перегляд - 1998 |