'O, I am frighten'd with most hateful
thoughts!' 240.

'O! were I one of the Olympian twelve,' 239.
Ode: Bards of Passion and of Mirth,' 125.
Ode on a Grecian Urn, 134.

Ode on Indolence, 135.
Ode on Melancholy, 126.
Ode to a Nightingale, 144.
Ode to Apollo, 6.

Ode to Fanny, 137.

Ode to Maia, Fragment of an,

Ode to Psyche, 142.

On a Picture of Leander, 38.

On Death, 1.

On Fame, 142.

On Fame, Another, 142.

119.

On first looking into Chapman's Homer, 9.
On hearing the Bagpipe, and seeing The Stranger
played at Inverary, 246.

On leaving Some Friends at an Early Hour, 9.
On Leigh Hunt's Poem The Story of Rimini, 38.
On Oxford, 252.

On receiving a Curious Shell and a Copy of
Verses, 4.

On seeing a Lock of Milton's Hair, 39.

On seeing the Elgin Marbles, 36.

On sitting down to read King Lear once again,
40.

On the Grasshopper and Cricket, 35.

On the Sea, 37.

On. Think not of it, sweet one, so,' 38.
On visiting the Tomb of Burns, 120.
OTHO THE GREAT, 158.

Party of Lovers, A, 251.

Picture of Leander, On a, 38.

POEMS OF 1818-1819, THE, 110.

Prophecy, A: To George Keats in America,

249.

Psyche, Ode to, 142.

Reynolds, John Hamilton, Epistle to, 240.
Reynolds, John Hamilton, To, 44.

Robin Hood, 41.

Ronsard, Translation from a Sonnet of, 123.

Sea, On the, 37.

Sharing Eve's Apple, 248.

'Shed no tear! O shed no tear!' 141.
Sleep, To, 142.

Sleep and Poetry, 18.

Solitude, Sonnet to, 12.
Some Ladies, To, 3.
Song about Myself, A, 244.
Songs:

Daisy's Song, 233.
Faery Songs, 141.

-

'Blue! 't is the life of heaven, the do-
main,' 43.

Dream after reading Dante's Episode of Paolo
and Francesca, A, 138.

Happy is England! I could be content,' 35.
How many bards gild the lapses of time,' 8.
Human Seasons, The, 44.

If by dull rhymes our English must be
chain'd,' 144.

'Keen, fitful gusts are whisp'ring here and
there,' 8.

Last Sonnet, The, 232.

Oh! how I love, on a fair summer's eve,' 13.
On a Picture of Leander, 38.

'Why did I laugh to-night? No voice will
tell,' 137.

Written in Answer to a Sonnet, 43.
Written in Disgust of Vulgar Superstition, 35.
Written in the Cottage where Burns was
born, 121.

Written on the Blank Space at the End of

Chaucer's Tale of The Floure and the Lefe, 36.
Written on the Day that Mr. Leigh Hunt left
Prison, 5.

Written upon the Top of Ben Nevis, 123.
Specimen of an Induction to a Poem, 27.
Spenser, Imitation of, 1.

Spenserian Stanza, written at the close of Canto
II., Book V., of The Faerie Queene, 8.
Spenserian Stanzas on Charles Armitage Brown,

To John Hamilton Reynolds, 44.

To Leigh Hunt, Esq., 37.

To Sleep, 142.

To Some Ladies, 3.

To Spenser, 42.

To the Nile, 41.

To Thomas Keats, 245.

Translation from a Sonnet of Ronsard, 123.
Two or Three Posies, 251.

VERSES TO FANNY BRAWNE, 214.

Verses written during a Tour in Scotland, 120.

'Welcome joy, and welcome sorrow,' 42.

What the Thrush said, 43.

'Where's the Poet? Show him! show him,'
238.

'Woman! when I behold thee, flippant, vain,' 2.
Written in Answer to a Sonnet, 43.

Written in Disgust of Vulgar Superstition, 35.
Written in the Cottage where Burns was born,
121.

Written on the Blank Space at the End of
Chaucer's Tale of The Floure and the Lefe,
36.

Written on the Day that Mr. Leigh Hunt left
Prison, 5.

Written upon the Top of Ben Nevis, 123.
Wylie, Miss, Stanzas tc, 240.

AGRICULTURE, the effect of, on character, 392,
393.

Ailsa Rock, 312.

Amena's letters to Tom Keats, 364, 366.
America, in its relation to England, 332.

Bailey, Benjamin, entertains Keats at Oxford,
264;
has a curacy, 271; his love affairs, 357;
letters to, 270, 271, 273, 283, 290, 303, 305, 318,
387.

Ben Nevis, ascent of, 323, 324.
Brawne, Fanny, first met by Keats, 340; de-
scribed by Keats, 342; tiffs with, 353; ar-
dently loved by Keats, 380, and in subse-
quent letters commended to Brown, 448;
letters to, 380, 382, 383, 384, 386, 388, 393, 413,
414, 423, 424, 425, 426, 427, 428, 429, 430, 432,
433, 436, 438, 440, 441.
Brawne, Mrs., takes Brown's house, 340; Keats
dines with her, 345; letter to, 446.
Brown, Charles Armitage, Letters to, 410, 411,
437, 444, 445, 447, 448.
Burford Bridge, 275.

Burns, Robert, visit to the country of, 308, 310,
313, 315.

Burton's Anatomy of Melancholy, quoted, 397.

Carisbrooke, Isle of Wight, 257.
Charmian, 331.

Chatterton, Thomas, Keats inscribes Endymion
to his memory, 297; thinks his the purest
English, 404.

Christ, Keats's thoughts on, 363.

Claret, the charms of, 356.

Clarke, Charles Cowden, Letters to, 255.
Coleridge, Samuel Taylor, 272, 277.

Cornwall, Barry, 431.

Cripps, Mr., 269, 272, 275, 279, 281.

Dante, Keats proposes to take him on a jour-
ney, 306.
Devonshire, Keats's opinion of, 290, 292, 294.
Dilke, Charles Wentworth, interest of in his
boy's education, 356; his absorption in his
boy, 365, 386, 396; his character, 405; letters
to, 273, 326, 351, 385, 409, 412, 431, 436.

Elmes, James, letter to, 378.

told to Fanny Keats, 264; draws near a close,
269; a test of his power of imagination, 270;
completed, 281; to serve as a pioneer, 289;
preface to, 296.

Examiner, The, a battering ram against Chris-
tianity, 258; has a good word on Wellington,
262; Keats's notice in it of Reynolds's Peter
Bell, 367.

Fingal's Cave, 322.

French Revolution, Keats on the, 398.

Godwin, William, 346.

Goldfish, Keats's fancy of a globe of, 372.
Greek, Keats wishes to learn, 299.

Haslam, William, letter to, 375.
Haydon, Benjamin Roberts, Keats's first ac-
quaintance with, 255; advises Keats to go
into the country, 255; his quarrel with Hunt,
270; proposes to make a frontispiece for En-
dymion, 281; his effect on Keats, 296; money
affairs with, 350; letters to, 260, 269, 279, 293,
295, 349, 350, 351, 371, 373, 379, 412, 440, 443.
Hazlitt, William, on Southey, 259; thinks
Shakespeare enough for us, 261; his Round
Table, 269; his essay on commonplace peo-
ple, 272; his lecture on poetry, 287, 289;
prosecutes Blackwood, 327; his letter to Gif-
ford, 358; his retort, 359.

Hessey, James Augustus, letter to, 328.
Hunt, Leigh, self-delusions of, 261; his quarrel
with Haydon, 270; attack on, in Edinburgh
Magazine, 273; his own name coupled with,
273; his criticism of Endymion, 282; shows
Keats a lock of Milton's hair, 284; his char-
acter, 341; his conversation quoted, 343; let-
ter to, 258.

Hyperion, has too many Miltonic inversions, 408.