The Drama: Or, Theatrical Pocket Magazine, Том 1T. and J. Elvey., 1821 Wholly dedicated to the stage, and containing original dramatic biography, essays, criticisms, poetry, reviews ... with occasional notices of the country theatres, the whole forming a complete critical and biographical illustration of the British stage. |
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Сторінка 17
... entering the house , finding that the place kept for you is directly over their heads ; so that when you have painfully stretched yourself farther and farther over the front of the box till you are in danger of getting a fuller view of ...
... entering the house , finding that the place kept for you is directly over their heads ; so that when you have painfully stretched yourself farther and farther over the front of the box till you are in danger of getting a fuller view of ...
Сторінка 18
... entering your box just as the first act is over , and observing the last bustle of a number of persons who have just descended into your front seats , and are all smirking and smiling to think themselves “ so very fortunate . " MISERY ...
... entering your box just as the first act is over , and observing the last bustle of a number of persons who have just descended into your front seats , and are all smirking and smiling to think themselves “ so very fortunate . " MISERY ...
Сторінка 19
... entered into by Dr. D'Áve- nant , Charles Hart , Thomas Betterton , and others , dated Oct. 14 , 1681 , that the actors had then benefits . By this agreement , five shillings a piece , were to be paid to Hart and Kynaston the players ...
... entered into by Dr. D'Áve- nant , Charles Hart , Thomas Betterton , and others , dated Oct. 14 , 1681 , that the actors had then benefits . By this agreement , five shillings a piece , were to be paid to Hart and Kynaston the players ...
Сторінка 21
... entered into , that ten should belong to D'Avenant ; viz . " two towards the house - rent , building , scaffolding , and making of frames for scenes ; one for a provision of habits , properties , & c . for a supplement of the said ...
... entered into , that ten should belong to D'Avenant ; viz . " two towards the house - rent , building , scaffolding , and making of frames for scenes ; one for a provision of habits , properties , & c . for a supplement of the said ...
Сторінка 42
... entered , and it was some minutes before their departure was known to the audience . May 15. - The Duenna - The Midnight Hour . 16. - The Kind Impostor - Past Ten o'Clock , and a Rainy Night . 17. - Artaxerxes - The day after the ...
... entered , and it was some minutes before their departure was known to the audience . May 15. - The Duenna - The Midnight Hour . 16. - The Kind Impostor - Past Ten o'Clock , and a Rainy Night . 17. - Artaxerxes - The day after the ...
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acting actor Adel Adelaide admirable Alonzo appearance applause audience bard beautiful called celebrated character CHARLES Cobourg comedy comic Covent Garden Covent Garden Theatre Dæmon death DRAMA Duke effect English Ethelwald excellent exhibited farce father favour favourite feeling French GARRICK genius hand hath Haymarket HAYMARKET THEATRE heart Henry Henry VI honour humour KEAN KEMBLE King King's Theatre lady London Lord Lord Byron Macbeth MAJESTY manner merit Mid Lothian mind murder nature never night o'er opera original Othello OXBERRY passion performance PERKIN WARBECK person piece play plot poet present Prince produced proprietors Queen racter Ravenstone readers received representation RICHARD RICHARD III Rob Roy scene season SHAKSPEARE SHAKSPEARE'S shew songs soul spirit stage style success SURREY THEATRE talents taste theatre theatrical thee thou tion tragedy voice whole wife writer written young
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Сторінка 171 - And all amid them stood the tree of life, High eminent, blooming ambrosial fruit Of vegetable gold; and next to life Our death the tree of knowledge grew fast by, Knowledge of good bought dear by knowing ill.
Сторінка 24 - Caesar carelessly but nod on him. He had a fever when he was in Spain, And when the fit was on him, I did mark How he did shake : — 'tis true, this god did shake.
Сторінка 237 - I have heard That guilty creatures sitting at a play Have by the very cunning of the scene Been struck so to the soul that presently They have proclaimed their malefactions ; For murder, though it have no tongue, will speak With most miraculous organ.
Сторінка 390 - Shakespeare was inspiration indeed ; he is not so much an imitator as an instrument of Nature ; and it is not so just to say that he speaks from her as that she speaks through him.
Сторінка 385 - WHEN Learning's triumph o'er her barbarous foes First rear'd the stage, immortal Shakspeare rose; Each change of many-colour'd life he drew, Exhausted worlds, and then imagined new : Existence saw him spurn her bounded reign, And panting Time toil'd after him in vain.
Сторінка 81 - See, what a grace was seated on this brow; Hyperion's curls; the front of Jove himself; An eye like Mars, to threaten and command; A station like the herald Mercury, New-lighted on a heaven-kissing hill; A combination, and a form, indeed, Where every god did seem to set his seal, To give the world assurance of a man : This was your husband.
Сторінка 110 - Not what we ail'd, yet something we did ail ; And yet were well, and yet we were not well, And what was our disease we could not tell. Then would we kiss, then sigh, then look. And thus In that first garden of our simpleness We spent our childhood : but when years began To reap the fruit of knowledge, ah, how then Would she with graver looks, with sweet stern brow, Check my presumption and my forwardness ; Yet still would give me flowers, still would me show What she would have me, yet not have me...
Сторінка 117 - I speak to Time and to Eternity, Of which I grow a portion, not to man. Ye elements ! in which to be resolved I hasten, let my voice be as a spirit Upon you ! Ye blue waves ! which bore my banner, Ye winds ! which...
Сторінка 328 - The dawn is overcast, the morning lowers, And heavily in clouds brings on the day, The great, the important day, big with the fate Of Cato and of Rome.
Сторінка 182 - The house is shown by a garrulous old lady in a frosty red face, lighted up by a cold blue anxious eye, and garnished with artificial locks of flaxen hair, curling from under an exceedingly dirty cap.